Article

Literary Vibes - Edition CXXXIX (29-Mar-2024 - POEMS


Title : Kindred Spirits (Picture courtesy Ms. Latha Prem Sakya)

An acclaimed Painter, a published poet, a self-styled green woman passionately planting fruit trees, a published translator, and a former Professor,  Lathaprem Sakhya, was born to Tamil parents settled in Kerala. Widely anthologized, she is a regular contributor of poems, short stories and paintings to several e-magazines and print books. Recently published anthologies in which her stories have come out are Ether Ore, Cocoon Stories, and He She It: The Grammar of Marriage. She is a member of the executive board of Aksharasthree the Literary Woman and editor of the e - magazines - Aksharasthree and Science Shore. She is also a vibrant participant in 5 Poetry groups. Aksharasthree - The Literary  Woman, Literary Vibes, India Poetry Circle and New Voices and Poetry Chain. Her poetry books are Memory Rain, 2008, Nature At My Doorstep, 2011  and Vernal Strokes, 2015. She has done two translations of novels from Malayalam to English,  Kunjathol 2022, (A translation of Shanthini Tom's Kunjathol) and  Rabboni 2023 ( a Translation of Rosy Thampy's Malayalam novel Rabboni)  and currently she is busy with two more projects.

 


 

 

Title : Blue Valley Of Acceptance (Picture courtesy Ms. Sheena Rath)

 

Sheena Rath is a post graduate in Spanish Language from Jawaharlal Nehru University Delhi, later on a Scholarship went for higher studies to the University of Valladolid Spain. A mother of an Autistic boy, ran a Special School by the name La Casa for 11 years for Autistic and underprivileged children. La Casa now is an outreach centre for social causes(special children, underprivileged children and families, women's health and hygiene,  cancer patients, save environment)  and charity work. 

Sheena has received 2 Awards for her work with Autistic children on Teachers Day. An Artist, a writer, a social worker, a linguist and a singer (not by profession)

 


 

Dear Friends,

A hearty welcome to the 139th edition of LiteraryVibes which comes adorned with some beautiful poems and scintillating short stories. We are also lucky to have with us as many as eight new poets and writers, all hugely talented, many of them literary celebrities in their own right. Ms. Magline Jackson from Thoppumpadi in Ernakulam district of Kerala is a highly accomplished writer, poet, critic, cosmetologist and  beautician. The young and vibrant poet Ms. Barsa Ray, who lives in London, writes incredibly beautiful poems. Prof. Saroj Kumar Padhi from Bhubaneswar is a well-known bilingual poet in Odisha, whose poetry bears the hallmark of great intensity and depth. Mr. Sivan Methala from Perumbavoor, Kerala, is a brilliant writer whose ornate language matches the fiery spirit he carries within himself. Mr. Kanjilal is a prolific poet and writer from Kolkata whose litany of writings bears testimony to his creative passion. Mr. Ajay Narayanan from Kalamaserry, Mr. Nikhilesh Naduvanur from Calicut, Mr. Anantha Krishnan from Quilon are some of the finest young talents from the exotic environs of Kerala who have done LV proud by contributing to the present edition. Let us welcome all of them to the LV family and wish them the very best in their literary journey. 

 

March is a nice month indeed. The beauty of the fabulous Spring season brings a new rhythm to life. The promise of fragrant days of positive sanguinity makes one believe that despite the drudgery of the mundane life there is a lot to look forward to, and every new day is not an end of the bygone past, but the beginning of a vibrant future. One tends to sit back and reflect on life. I recently came across two wonderful pieces of reflection which I want to share with the readers. They may sound a bit of pontificating, but there is truth in them and truth is the foundation of a meaningful life.

Here are the two anecdotes: 

 

1. "NOTE TO SELF - IN THE LAST QUARTER OF LIFE”

 

Many of us are in the last quarter of life and I share without politics, religion, race cards. Just some of my somber thoughts:

You know, time has a way of catching you off-guard about how quickly it travels.

It feels like just yesterday that I was young and ready to start adult-life. And in a way it feels like eons ago, and I wonder where the years have gone.

I know I lived them all.

I remember all my hopes and dreams.

I remember the plans I made.

And suddenly, here I am in the last quarter.

How did I get here so fast?

Where have the years gone and where did my youth go?

I can recall looking at older people, thinking how long it will take for me to get where they are. I am still in my youth and have many years ahead. At that time I could not even think of being where I am now. May not be due to age but illness.

And yet, here I am.

My friends are going to retire, they all have grey hair, they move much slower than they did and when I look at them, I see older people. Some are in a better and some in a worse condition than me. But I see the big difference. They are no longer the youthful, carefree, full-of-life friends.

Just like me, age shows. And we are now the older people we used to look at and thought it was still a long way off.

I find that these days, taking a shower takes its toll on my breath and energy levels. And an afternoon nap is not just a treat, it’s become a necessity. And if I don’t, I find myself sleeping in the same chair I started reading or watching a YouTube.

Now I have entered this new season of my life, totally unprepared for the discomfort, aches and pains, loss of energy and strength and ability to do what I could, yet sometimes didn’t. At least I know that, even though I am in the last quarter and I have no idea how long this quarter will be, when my time on earth is over, a new adventure in another world awaits too.

Yes, I do have things I wish I had never done. Yet so thankful for those I did. It is all in a lifetime.

And if you are not in the last quarter yet, I want to remind you that it comes faster than you could anticipate. Do the things you still want to do as soon as possible. Do not procrastinate. Life runs on fast legs.

Do today what you can.

There is no promise that we all can see the seasons of life. Live for today. For now.

Say the words to the ones you love. Often.

Hopefully some will appreciate the things you did for them. And if they don’t, it is also okay.

Life is truly a gift. Just be happy. It is after all our own choice.

And remember that health is a treasure, not wealth, gold and silver, property or  bank balance.

You may think that going out is the best, but believe me – coming home is better.

You may forget names and that is okay, because some have already forgotten that they knew you.

The things you cared about previously, you may lose interest in.

If you fall asleep in your favourite chair, stay there.

Growing older is wonderful. It is more or less comfortable. It is loaded with memories that you never grow tired of. It is an absolute treasure.

Look after yourself.

 

2. MY FATHER TOLD ME - THE THINGS YOU SHOULD KNOW BY 35

 

1.Stay silent. Not everything needs to be said.

2. Silence is better than unnecessary drama.

3. If you find someone smarter than you, work with them, don't compete. Competition is a weakness.

4. The family you create is more important than the family you come from.

5. Your current job doesn't care about you. They only pay you enough to kill your dreams.

6. Free yourself from society's advice, because most of them have no idea what they're doing.

7. Most people drift through life. They have no purpose, no direction, and zero intent. Learn their needs and lead them.

8. It's better to have 1 friend who is:

Happy for you

Supports your wins

Encourages your dreams

Than a bunch of acquaintances who are:

Lazy

Self-centred

Jealous of your success

9. You'll be 10 times happier if you forgive your parents and stop blaming them.

10. No one will ever come to save you. Your life is 100% your responsibility.

11. Your inner circle should be more focused on money, success, and starting a family.

12. You don't need 100 self-help books. All you need is actions and self-discipline.

 

Believe in your heart and soul that you are capable of big things in your life..""

 

The only thing that is standing in your way is yourself. Remove Your Glass Ceiling.

 

I am sure you will find these as interesting and humbling as I did.

Last month, in the 138th edition of LiteraryVibes I had quoted two acutely sensitive love poems of Kaifi Azmi and requested the readers to translate them if possible. One of our long-standing poets Dr. Ajay Upadhyay from Hertfordshire, England has rendered a beautiful translation of the iconic song Jane Kay Dhoonti Rehti Hey....With great pleasure I am reproducing the translation here hoping that the readers will enjoy the depth and finesse of the song in English. 

 

My Lost Love!

Wonder, what 

Your eyes keep searching for, 

inside me.

Wrecked lies my world,

buried in ashes of desolation.  

No embers of passion, 

under their heaps, I find;

nor any sparks 

of longing, left.

 

Nothing is spared of the ardour,

not even its memory.

The blaze that 

scorched my heart,

consumed everything, 

wiping out the last trace

of my love.

 

Whose image you cherish

so fondly in your bosom,

no longer the real romantic, 

you knew.

I am now his mute corpse,

but, still breathing.

 

Bleak is my future;

all my hopes for merriment, dashed

But, life is relentless;

it will run its course;

If not in laps of laughter,

through tears of torment,

perhaps.

 

I treasure the ashes, saved,

from funeral pyre 

of my love, unreturned.

I guard it safe in

My sanctum,

haunted by fear of

it being disturbed.

Don’t stir it again and again;

that would scatter away, 

what is most precious

to me.

 

Heartless is this land,

where hopes are hollow, 

loyalty forbidden and 

longing is a sin.

Love, here, 

Is no more than a mirage

 

How I wish,

you could see

brutal reality of this

monstrous marketplace?

 

Stripped of their souls,

people here become 

mere possessions,

only fit for trading as goods 

in its slave stalls.

 

Just think:

How can a slave, 

once sold off,

ever dream of being a

master, himself!yyt

 

Wonder, what 

Your eyes keep searching for, 

inside me.

Wrecked lies my world……

 

(From the Film Shola Aur Shabnam, 1961)

Hope you will like the offerings in the present edition of LiteraryVibes. Please forward the following links to your friends and contacts:

https://positivevibes.today/article/newsview/536 (Poems)

https://positivevibes.today/article/newsview/535 (Short Stories, Anecdotes and Travelogues)

https://positivevibes.today/article/newsview/534 (Young Magic)

There are two medical related articles by the famous gynaecologist Dr. Gangadhar Sahoo at  https://positivevibes.today/article/newsview/533

A happy reminder to all of you that 12 excellent short stories published in the Pooja Special of LiteraryVibes in October 2023 can be found at https://positivevibes.today/article/newsview/507 

Hope you remember that all the 139 editions of LiteraryVibes can be accessed at https://positivevibes.today/literaryvibes 

Take care, relax and enjoy the beautiful, romantic touch of Spring, till we meet again with the 140th  edition of LV on 26th April.

 

With warm regards,

Mrutyunjay Sarangi

Editor, LiteraryVibes

Friday, March 29, 2024

 


 

Table of Contents :: POEMS

01) Prabhanjan K. Mishra
          SHIVA IN CLOUDS
02) Bibhu Padhi
          ANOTHER LIFE
03) Hrushikesh mallick.
          IMRAANA (Imraanaa, Kevala Tumapain)
04) Prabhanjan K Mishra (Self-translation)
          THE SKIN-DEEP FAME (Gourabara Patala Chamatale)
05) Arupananda Panigrahi
          MAVERICKS (BAATOI)
06) Bijay Ketan Patnaik
          IN MEMORIAM: FATHER (BAAPAA)
07) Kamalakanta Panda
          THE SONG OF SILENCE (NISHABD SWARA)
08) Runu Mohanty
          THE ADORATION (VANDANAA)
09) Dilip Mohapatra
          VOICES UNSPOKEN
          REUNION
10) Sreekumar Ezhuththaani
          THE WRITING MACHINE 
11) Saroj K Padhi
          WOMAN
          OPEN UP DEAR SOUL
12) Nikhilesh Naduvannur
          WHEN BELOVED RESIDES BY A LIGHT-YEAR
13) Kanjilal
          THE LAST FAITH
          THE SLAUGHTER HOUSE 
14) Barsa Ray
          SPRING EQUINOX
          YEAR OF CAPTIVITY, OF JOY 
15) Dr. Ajay Narayanan 
          LAYERS OF ESSENCE 
16) Anantha Krishnan V
          BURNIN' FREE IN AUTUMN
17) Raju Samal
          BEYOND THE CLOUDS
18) Abani Udgata
          A WALK IN THE EVENING
19) Dr. Nanda K.Biswal
          PANCHGANI, BUT YOU!
20) Jay Jagdev
          ANGST
          LET`S BURY IT IN OUR OWN HANDS
21) Dr R S Tewari Shikhresh
          INSATIABLE THIRST
          MERGED INTO ONE  
22) Hema Ravi
          ONLY YOURS... (Prose Poem)
23) Sudipta Mishra
          YOU AND ME 
          TRAVERSING IN DREAMS
24) Ravi Ranganathan
          BETWEEN US
25) Satya Narayan Mohanty 
          THE ORACLE
26) Sreeja Sree
          MIRACLES
27) Dr Bichitra Kumar Behura 
          MY DREAMSCAPE JOURNEY
28) Setaluri Padmavathi 
          A CHANGED WOMAN
29) Vidhya Anand
          BIRTHDAY BINGE
30) Sujata Dash...
          A DUSKY EVENING
          NAIVE
31) Madhumathi. H
          IT'S JUST A HUG?
          DEAR CONSTANT...
32) Dr (Col) Rekha Mohanty 
          THE CHARM OF DISTANCE 
33) Annamalai M
          LOST FOREVER
34) Dr. Paramita Mukherjee Mullick
          SOUND OF SILENCE
35) Bipin Patsani
          THE   FL AVOUR
          THE   FEEL   GOOD   FACTOR
          NOT   IN   HEAVEN
36) Aneek Chatterjee
          THIS LAND
37) Pradeep Biswal 
          LADDER 
38) Bhagaban Jayasingh 
          ILLUSION OF THE SEA
39) Soumen Roy 
          WRETCHED
          OF THE YOUTH 
40) Umasree Raghunath 
          IN THE GOD’S EYES
          TEMPTATION
          JUST CANT SLEEP
41) Jaydeep Sarangi 
          MYSTERIES OF HABITS
          AN INDIAN POEM
          DOOR AT PURI 
42) Saranya Francis 
          LOTUS EYE LOTUS FEET
43) Gargi Saha
          WOMAN 
          MY VILLAGE COTTAGE
          PEACE 
44) Dola Dutta Roy
          I NEVER ASKED FOR ROSES
45) Nandini Mitra
          I'LL DWELL IN THE SILENCE OF YOUR HEART 
          A PEACEFUL FEELING 
46) Leena Thampi
          TILL ETERNITY
47) Meena Mishra
          THE EXAM DAY
          SUMMER DAYS
48) Shrikant Mishra
          LIFE ETERNAL
49) Professor Niranjan Barik
          THE CLOCK!
50) Mrutyunjay Sarangi
          ON A VACANT SATURDAY MORNING

 


 

Table of Contents :: STORIES & ANECDOTES

01) Sreekumar Ezhuththaani
          ACROSS THE RIVER 
          THE LEFTOVERS
          ON THAT WHICH DWELLS NOT  IN EVERYMAN
          A TELL-TAIL
02) Prabhanjan K. Mishra
          THE ICE-AGE       
03) Ishwar Pati
          RAGING WATERS
04) Magline Jackson
          DREAM SCULPTORS
05) Sivan Methala
          REAL AND NOT SO REAL
06) Snehaprava Das
          THE MISSING BOY
07) Jay Jagdev
          WHAT DO YOU DO?
08) Hema Ravi
          THE GIFT
09) Sukumaran C.V.
          THE EXTRAVAGANCE HARD TO GIVE UP
10) Dr. Sukanti Mohapatra 
          A SETTING 
11) Shruti Sarma
          THE QUEEN OF THAT CAVE
12) Sreekumar T V 
          SWEET SIXTEEN
13) Gokul Mishra
          A BANKER'S ORDEAL
14) Ashok Kumar Mishra
          BLOOD STAIN
15) Gourang Charan Roul
          VISUAL CONNECT WITH SRIMANDIRA ... 
16) Bankim Chandra Tola
          LAUGHTER
17) Seethaa Sethuraman
          MY MAIDEN SOLO TRIP (PART 1): ARRIVING... 
18) Sheena Rath 
          YOU AND ME AND THE DOG NAMED BOO
19) Mayuri R. Ghorpade.
          HOLI
20) Satish Pashine
          ARTIFICIAL INTELLIGENCE-QUO-VADIS?
21) Usha Surya
          AND SHE DIED...
22) Nitish Nivedan Barik
          A LEAF FROM HISTORY... 
23) Sreechandra Banerjee
          WHAT IS PASSOVER?
          SIGNIFICANCE OF EASTER
24) Mrutyunjay Sarangi
          AFTERNOON RAINS


 


 

Table of Contents :: YOUNG MAGIC

01) Anura Parida
          IN THE MIDDLE OF THE LUSH GREEN
02) Trishna Sahoo 
          MUSIC: OUR LIFE LINE 

 


 


 

POEMS

 

 

SHIVA IN CLOUDS

Prabhanjan K. Mishra

 

The air vibrates with rhythmic music

and a touch of the sacred,

mind lapses into a soporific trance

when the Damru* dances a jig;

the billowing smoke

captures the spirit of hemp rolls.

 

Our lord of annihilation, who

is an epitome of humility, living the life

of a maverick pauper; animals, ghouls

and the dead souls for company;

compassionate to the level of being

trampled over by Kali, his wife.

 

Third of the Triumvirate of the Hindu Pantheon,

an Aryan god, but secular to

finger tips, bestowing boons of immortality

even on heretics and Asuras, taking pity

if they grovel enough at his feet,

often blamed for his misplaced piety.

 

A lover of hemp and poppy! Also, could

grieve for wife's death, roaming the earth

with her rotting body on shoulders;

parts falling off, propounding the belief

that anger can be another name

of love, of the terrifying Tandav as well.

 

I don't know, why the maverick lord

doesn't revolt to be worshipped

as an erect phallus, perched perennially

in a yoni; as if the Lord has gone

on other missions than being fixated

to the project of procreation.

 

Besides being the most ancient ascetic,

he should hold the Guinness record as

the world's first Aghori*; he camps

in cremation yards, smeared with the soot

from pyres, wearing live snakes and tiger skin,

hair held in a tangled and knotted mass.

 

What can I offer to such a cute and

quaint earthy lord, who presides over

creation and annihilation, equally,

except a shred of my wayward thought?

A line of lost hieroglyphs

of my untamed spirits?

 

(Footnote - Aghori means one having a liking for the dead and decay, they are not horrified by corpses, necropolis or necromancers. A necromancer is a person who practises black magic, tantra, or Devil worship.)

 

Prabhanjan K. Mishra is an award-winning Indian poet from India, besides being a story writer, translator, editor, and critic; a former president of Poetry Circle, Bombay (Mumbai), an association of Indo-English poets. He edited POIESIS, the literary magazine of this poets’ association for eight years. His poems have been widely published, his own works and translation from the works of other poets. He has published three books of his poems and his poems have appeared in twenty anthologies in India and abroad.

 


 

ANOTHER LIFE

Bibhu Padhi

 

The mangoes ripen under

the sharp April sun.

 

The earth-smell vibrates

in the subtropical summer air.

 

The roads of Cuttack

are full of morning-walkers.

 

My woman cooks fish curry, smokes

eggplants, fries my favourite elephant's-foot.

 

I kiss her thin hands,

she kisses back,

 

pouring her long hair

over my face,

 

its scent slowly reaching

the blood in my deeper veins.

 

I recall the smell of mint leaves,

turn inward and discover

 

the yellow-gold magnolias of yesterday.

I look at the sky and think of how

 

I haven’t made love in a long

time, wait for another time.

 

The day is alive with bright clouds.

My blood whispers old tales

 

of kings and queens.

I've this unknown desire

 

to live among girls who came

from another land, a colder climate.

 

I can't tolerate the warmth

of the Indian sun of the Aprils.

 

A song, blurred by the years

of a quiet loss, reaches me

 

through the brief windows.

I wait for my night’s erratic sleep.

 

Bibhu Padhi took early retirement as a Senior Reader and the Head, Department of English, Dhenkanal College, in 2007. His most recent magazine appearances include The Times Literary Supplement, The London Magazine, The New Humanist, Poetry Ireland Review, The Manhattan Review, The Awakenings Review, Oregon English Journal, and The Dalhousie Review. He lives with his family in Bhubaneswar, Odisha.

 


 

TWO POEMS OF SELF-LACERATION BY TWO ODIA POETS:

The poets look at the moral deterioration from their view points. Hrushikesh Mallick looks at it thorough the fate of a woman. Prabhanjan K Mishra looks at it with self-deceiving false glory. But both converge in their efforts for a social awakening, the hidden social message.  

 

IMRAANA (Imraanaa, Kevala Tumapain)

Hrushikesh Mallick

(Translated by prabhanjan K Mishra)

 

Neither a god, big or small,

nor a prophet, eloquent or silent;

neither a man, nor a woman,

it’s me, a humble word-smith.

 

The moon plays hide-and-seek

among patches of clouds, “Catch me

if you can…”, a merry-go-round.

But the game reminds me of a pale hand.

 

Your hand, bloodless, hanging out

of your flower-bedecked coffin.

How does the decoration matter

to your unseeing marble-eyes!

 

Your subdued Nikanama got

drowned by the roar

of a rampant tiger at large,

a two-legged (wo)man-eater.

 

What time is it, Imraanna?

Night seems unending,

my pretended sleep

is ajar behind closed eyelids.

 

Lonely nights chase me, urge me

to wake you up from your casket,

take you for a leisurely walk

along the silent riverbank.

 

What would we talk about? Everything

is no-no, having lost the relevance.

Don’t cry Imraanaa, the tears would

soak your shroud, sobs crush your chest.

 

Why did you surrender to death

so quietly, Imraanaa, without a fight?

Wasn’t anyone there by you to help

when the old tiger went berserk?

 

Couldn’t you put your hands

on a shard of broken glass to stab him?

Use your sharp teeth to pull out

his entrails, a woman’s ultimate tool?

 

Might be your husband was looking

for salvation at a country liquor bar,

your amma-in-law had gone out

to earn her daily wage.

 

 children busy playing out of earshot.

You knew, it would be a waste of time

to ask for help from a hymn-buff Ishwar

or a Namaz-addict Allah, anyway.

 

Why did these saviors of humanity,

turn a Nelson’s eye, when the tiger

ravaged your soft bosoms, muddied

the serene stream of your thighs?

 

The activists shouted slogans,

held candle-marches; the leaders,

visiting to console your family,

slyly groping your minor girls.

 

Like the weaver bird least bothered

about its nest against the strong wind,

your neighbor Chaitaa, the rickshaw-puller,

visited his routine liquor den after the tragedy.

 

It is only me, whose head hung

in shame, as you gave up fight

like the ever-tolerant Sita and sought

your peace in the mother earth’s lap.

 

So, I would invoke you by

the long arms of my pen and poetry,

the law’s arm no more long or strong,

to rise and fight for your peers in pain.

 

Neither a god, big or small,

nor a prophet, eloquent or silent;

neither a man, nor a woman,

it’s I who invoke you, your humble word-smith.

(END)

 


Poet Hrushikesh Mallick is solidly entrenched in Odia literature as a language teacher in various colleges and universities, and as a prolific poet and writer with ten books of poems, two books of child-literature, two collections of short stories, five volumes of collected works of his literary essays and critical expositions; besides he has edited an anthology of poems written by post-eighties’ Odia poets of the last century, has translated the iconic Gitanjali of Rabindranath Tagore into Odia; and often keeps writing literary columns in various reputed Odia dailies. He has been honoured with a bevy of literary awards including Odisha Sahitya Akademi, 1988; Biraja Samman, 2002; and Sharala Puraskar, 2016. He writes in a commanding rustic voice, mildly critical, sharply ironic that suits his reflections on the underdogs and dregs of the society. 

 


 

THE SKIN-DEEP FAME (Gourabara Patala Chamatale)

Prabhanjan K Mishra (Self-translation)

 

Tired of clearing cobwebs -

Lies and falsehood rule the roost.

Sleight of hand hoodwinks fair deals

with counterfeit compassion.

 

The rich and poor,

from men of power to those

humbled by fate and birth,

dance for immortality, vainglory.

 

Force with humility, a mix.

Sin, tempering it with

impunity and charity. Score

the highest number of goals, playing foul.

 

Two hoots to monstrous blunders

or irreparable loss to others!

Ingratiating submission of the exploited,

conceals the agenda behind blessings.

 

Most of the portals lie half-built,

the holy sites strewn with rubbles,

the edifices of glory cracking at hips,

reality makes room for fairy tales.

 

Showcasing hollow promises,

ruining the Holy Ganga

with cleaning budget, sweeping

into it the pyre-remains and drains.

 

The waist-belts support our weak spines.

Headgears conceal baldness.

Dentures dazzle over the teeth-loss.

God! When would these vanity fairs stop?

(END)

Prabhanjan K. Mishra is an award-winning Indian poet from India, besides being a story writer, translator, editor, and critic; a former president of Poetry Circle, Bombay (Mumbai), an association of Indo-English poets. He edited POIESIS, the literary magazine of this poets’ association for eight years. His poems have been widely published, his own works and translation from the works of other poets. He has published three books of his poems and his poems have appeared in twenty anthologies in India and abroad.

 


 

TWO POEMS

The two poems by two authentic and erudite poets from Odisha writing in Odia. ‘FATHER’ in a man’s life. Father is a symbol of heroism, courage, idealism in most children’s lives. Exceptions that vitiate the plot are rare.

 

MAVERICKS (BAATOI)

Arupananda Panigrahi

(Translated by Prabhanjan K Mishra)

 

I feel like having

a word with father;

not sure,

what would I talk about.

 

Daily, we come face to face

many-times over, pass each other,

without a word, as if,

have nothing to say.

 

He looks at me, expectation in eyes;

as do my eyes brimming with hope,

nothing comes to my mind.

Does he also feel tongue-tied?

 

When I come before him,

often my mouth goes dry,

my tongue loses its way,

and spit chokes my throat.

 

Perhaps, father knows me

better, his shy son. His eyes,

twinkling with affection, hover over me

when I pretend to be asleep.

 

Father is approaching me,

we may have a word.

None others are around

to make me feel shy, tongue-tied.

 

Perhaps, we both go about

like strangers, our worlds

being separated, as well as joined

by a cold bridge crying for warmth.

 

My search for that bridge continues

that would join our worlds of hesitation,

inhibition, inward struggle;

walking long, parallel, tiring distances.

 

The bridge may also be awaiting

our footfalls, florally decorated

to welcome us, but gathering dust,

crying for the dust of our maverick feet.

 

Arupananda Panigrahi is a senior Odia poet, his poems mostly rooted in Odisha’s native soil; has four collections to his credit; he writes his poems in a spoken tradition in an idiom unique to his poetry. Sprinkled with mild irony, his poems subtly closet at their cores the message of hope even at the moment of proverbial last straw of despair. (email add – arupanadi.panigrahi@gmail.com)

   


 

IN MEMORIAM: FATHER (BAAPAA)

Bijay Ketan Patnaik

(Translated by Prabhanjan K. Mishra.)

 

Father’s sweat and blood

oozed into little rivulets;

when he tilled our drought-dry land.

 

He raised crops,

taming discordant songs

from the green nubile shoots

till they bent with ripe, brown paddy.

 

The differing from my poetry

on pen and paper, he tuned his

etching the lines with a plough.

 

The irregular lines

written as poetry by riff-raffs

paled before his soulful furrows.

 

In childhood, my little feet

were unable to walk

long distances.

 

I rode his shoulders

to village fairs at Gurujang

and Dhabaleshwar.

 

I recall those rides,

much more comfortable

than cars rides of today.

 

In cool moonlit nights

in our inner courtyard,

father lying on his back,

would make me play gugupaanchi*.

 

I would watch the moon play

with the floating clouds when

lying face-up on his knee-swing.

 

The Baali Jaatraa*

where he took me

and we rode giant wheels.

 

When the evenings loomed

over the cow-dust in our village lane,

father would sing devotional songs.

 

The plaintive sweetness would

fill my soul - ‘How long would you,

my Lord, keep me waiting…?’ I never

would know for what did he wait for.

 

I would rejoice in his Bhakti songs

while busy in my homework,

the light melody, a booster

to arithmetic and sociology.

 

As tranquil as my mother’s lullabies,

better than the melody nights

of today’s DJ music. His evening song-soirees

made me a mini-monk out of the spoilt brat.

 

(Gugupanchi* - adults, lying on their backs, would swing little kids on their bent knees. Bali Jatra* - rural fairs held on dry and sandy river banks and seashores of Odisha, the fairs starting with the day of Kartik Purnima, to commemorate the seafaring trade and traders or Sadhavs of ancient Odisha, sailing Boitas, the large country-crafts.)

Bijay Ketan Patnaik writes Odia poems, Essays on Environment, Birds, Animals, Forestry in general, and travel stories both on forest, eco-tourism sites, wild life sanctuaries as well as on normal sites. Shri Patnaik has published nearly twentifive books, which includes three volumes of Odia poems such as Chhamunka Akhi Luha (1984) Nai pari Jhia(2004) andUdabastu (2013),five books on environment,and rest on forest, birds and animal ,medicinal plants for schoolchildren and general public..

He has also authored two books in English " Forest Voices-An Insider's insight on Forest,Wildlife & Ecology of Orissa " and " Chilika- The Heritage of Odisa".Shri Patnaik has also translated a book In The Forests of Orrisa" written by Late Neelamani Senapati in Odia.

Shri Patnaik was awarded for poetry from many organisations like Jeeban Ranga, Sudhanya and Mahatab Sahitya Sansad , Balasore. For his travellogue ARANYA YATRI" he was awarded most prestigious Odisha Sahitya Academy award, 2009.Since 2013, shri patnaik was working as chief editor of "BIGYAN DIGANTA"-a monthly popular science magazine in Odia published by Odisha Bigyan Academy.

After super annuation from Govt Forest Service  in 2009,Shri Patnaik now stays ai Jagamara, Bhubaneswar, He can be contacted by mail  bijayketanpatnaik@yahoo.co.in

 


 

TWO POEMS ON THE QUEEN OF EMOTIONS “LOVE” BY TWO ODIA POETS: the poems reflect the earthy as well as spiritual aspects of ‘Love”.

 

 

THE SONG OF SILENCE (NISHABD SWARA)

Kamalakanta Panda

(Translated by – Prabhanjan K Mishra) 

 

Muted green

of our banana grove

brings me the quiet beats

of your heart.

 

Like the shouting of the boatman

brings relieved sighs

to the worried travellers

waiting for crossing a swollen river.

 

With braille you etch my skin

writing the alphabet of love,

the caressing raindrops

wet-finger the earthy desire,

perfect metaphor for

our private poetry.

 

Your entry into my life,

a refreshing breeze;

emboldens me against

my sorrows.

Guilts and remorse

bolt by the backdoor.

 

My heart feels sheltered

in your cloistered love,

you, my sacred basil,

enshrined in my house,

my presiding deity,

I love to be your captive devotee.

 

Kamalakanta Panda (Kalpanta) is a renowned Odia poet lives and writes from Bhubaneswar, the city of temples, over the last forty years. He is often referred to as Kalpanta (meaning the ‘ultimate’) in Odia literary circles. He is a poet of almost legendary repute in Odisha and if one has not read Kalpata, then, he hasn’t read the quintessence of Odia poetry. He is famous for a quirky decision: he would never collect his poems into books himself. However, one may not find an Odia literary journal, or an anthology not enriched by his poems. His recent passion is to re-discover quaint and musical Odia words, and use them in poetry to enhance its nuances and contours. He is shy and quiet by disposition and believes to serve his muse, the deity-poetry, away from humdrum and razzle-dazzle of poetic forums. (He can be reached at his resident telephone No.06742360394 and his mobile No. 09437390003)  

 


 

THE ADORATION (VANDANAA)

Runu Mohanty

(Translated by Prabhanjan K mishra )

 

I adore this night.

It may not be the same tomorrow.

 

I beg you, give me your lips,

let me take an eyeful of you,

feed you my wild berries,

take you into my little cottage

decorated with peacock feathers.

 

My heart is jubilant like a swan’s

swaying in rhythm on ripples,

water mirroring its pristine image

in myriad fragments.

 

I adore the trees

along with their

foliage and blooms,

the river that soaks their roots

and the clouds

that wash them green.

 

The wind by the sea would

be in my adoration, the breakers

they bring ashore would keep

haunting me, my sweet reveries.

I would surrender myself

to this moment, rejoice its bliss.

 

Tonight, I would adore

my companion with a garland,

he would lead me to light

from the darkness.

 

Tonight, I would not adore

the gods, not count beads

in their names. it is our night

of adoration, I and you, my mate.

 

Runu Mohanty is a young voice in Odia literature, her poems dwell in a land of love, loss, longing, and pangs of separation; a meandering in this worldwide landscape carrying various nuances on her frail shoulders. She has published three collections of her poems; appeared in various reputed journals and dailies like Jhankar, Istahar, Sambad, Chandrabhaga, Adhunik, Mahuri, Kadambini etc. She has also published her confessional biography. She has won awards for her poetic contribution to Odia literature. 

 


 

VOICES UNSPOKEN

Dilip Mohapatra

 

In the quiet recesses

between breaths

dwell the voices unspoken, 

echoes of thoughts that flutter

like leaves in a gentle breeze

but unable to take wings

like ashes of desire

simmering under our skin

but unable to leap into flames

like embers of passion

turning into stardust

before they catch fire.

 

They linger in the shadows

unseen and unheard

only  ricocheting

in the heart's chamber

whispers  of fervour and fears

yearning to find their release. 

 

They are the silent symphony, 

orchestrating  the rhythm of life, 

a cacophony

of unsung melodies

waiting to be heard

waiting to be known. 

 

In the depths of solitude

they hibernate

uncontaminated

by the noise around

insulated from

the clatter and chatter

but within the reticent ripples

within the reclusive silence

lies the real power

a potency waiting to unfurl.

 

Perhaps all that it needs:

a bit of courage

a bit of outrage

a bit of audacity

and a bit of impudence…..

 


 

REUNION

Dilip Mohapatra

 

A day will come

when you would hear

someone pressing your

doorbell

and you open the door

only to admit yourself in

with open arms

and escort yourself

to your abode.

 

You would make yourself

comfortable

in your own parlour

and engage in small talk

to break the ice

and may be you

would offer yourself

a cup of hot tea

or perhaps clink your

glass and say cheers

and sit down to

retrieve the numerous

selfies that you

had clicked together

from the Facebook

archives.

 

You perhaps will get

acquainted with

the stranger

whom you had forgotten

all these years

while you ran from

pillar to post

to prepare yourself

for the voyage ahead

and set your sails

to the unknown shores.

While you raised a family

paid the debts

increased your net worth

and while running

many a races

trampled some

and climbed on some

left some behind

and followed some

on your way to the top.

 

And now that you

are back on the level

playing grounds

it's high time you

recognise him once again

as you stand in front

of the mirror

and pull him out

of your shadow

and let him and you

embrace each other to

once again become one

till you burn together

and your souls in fusion

sublimate together

and are sucked into

the supreme soul.

 

Note: A tribute to Nobel Laureate Derek Walcott in response to his 'Love after Love' to commemorate his death Anniversary (17 March)

Dilip Mohapatra, a decorated Navy Veteran is a well acclaimed poet in contemporary English and his poems appear in many literary journals of repute and anthologies worldwide. He has seven poetry collections, one short story collection and two professional books to his credit. He is a regular contributor to Literary Vibes. He  the recipient of multiple awards for his literary activities, which include the prestigious Honour Award for complete work under Naji Naaman Literary Awards for 2020. He holds the honorary title of ‘Member of Maison Naaman pour la Culture’. He lives in Pune and his email id is dilipmohapatra@gmail.com

 


 

THE WRITING MACHINE

Sreekumar Ezhuththaani

 

“How come you are so prolific?”

“Who?”

“You.“

“Excuse  me, there are two of us here

Which one do you mean?”

“The one who writes.”

“Oh, writing!
I thought prolific in some other things.

One can come up with jokes

Play pranks

Make money”

“No, I meant the stories.”

“That is  teamwork”

“We all suspected that.

Man or machine?”

“People.”

“You don’t use ChatGPT?”

“I  do, that is my scribe.

Insensitive, inexhaustible

Unpaid, immortal

Virus-free”

“OK, come to the point…”

“Yes, I’ve been bleeding white for years

Even since I was born.”

“So?”

“Those red spots, dry and turn black

If they can make it to a white sheet

You have a piece”

“You are so sanguine!”
“Translation?”

“So much blood to lose.”

“No, I get reblooded.”

“Translation,”

“The stories others bleed

The blood others fictionalize

Go into me and I am fine

I cut myself

Slash myself

Tear myself apart

Bleed profusely

And you know the rest”

“Your teammate?”

“Yes, we mate”

“Oh, great

So, she is your bedmate too”

Not just coauthor”

“In fact, we have another bedmate”

“That is a deviation”

“Yes, the road to heaven”

“Did both of you date her together”

“No, I found cute half

And she pointed out this companion”

“No jealousy there?”

“Yes, I am thoroughly jealous of them

But that is OK”

“How do you manage that?”

“A change in usage”

“Translation please, you are getting on my nerves”

“Intentional.”

“Anyway, explain”

“I used to say

Thou smellest nice

Now I say

Thou smell nice”

“Is there a difference?”

“Yes, I found the direct  path to heaven”

“I mean is there a difference between the phrases?”

“I have quit teaching

Find  someone who hasn’t”

“I will try that”

“Good luck”

“Same to you”

“By the way, I thought this may be your next poem

But it sounds like flash fiction”

“Yes, but wait till the blood drops dry and  turn black”

 

Sreekumar Ezhuththaani known more as SK, writes in English and Malayalam. He also translates into both languages and works as a facilitator at L' ecole Chempaka International, a school in Trivandrum, Kerala. 

 


 

WOMAN

Saroj K Padhi

 

A woman is

the sweetest creature on earth,

man's eternal breath;

a blend of soulful love and tears

(sometimes false though),

bold like a bull

but like flower, beautiful;

tough like a dictator

but inside sweet as nectar;

love her, she will love back

all the more,

hate her , she won't turn sore,

ignore her

she won't try to be bore;

she is fire and she is ice

she is sour and she is peace

she can be the door to hell

if at her you yell,

but she is sure door to salvation,

man's lust, love, passion

destruction and devotion.

 


 

OPEN UP DEAR SOUL

Saroj K Padhi

 

Open up dear worn out soul

all the misdeeds, sins, guilts,

foul plays and dance of lusty nights

when you were young to hilts;

 

Open up the Pandora's box

of drunken nights of fanciful love,

hang-ons on  grassy beds,

clamor for the girl,

artful, wily and beautiful;

 

Now that lust is a dying  thing

time is sounding the last ring

heal  the abraised soul

with love divine , of salvation you sing;

 

for now light of new life knocks

at the door of your body on the rocks.

 

Dr. Saroj K. Padhi, an Associate Professor of English in the Govt. of Odisha  is at present working at J K B K Govt. College, Cuttack . Born in 1962, he has been writing poems in English and Odia since his school days. He has published several reseach papers, two books of criticism: 1. JAYANTA MAHAPATRA’S RELATIONSHIP : A CRITICAL STUDY 2. ENGLISH ESSAYISTS : A CRITICAL STUDY  and got 14 anthologies of poetry in English namely PEARLS OF DEW, SHATTERED I SING , RHYMING RIPPLES, PETALS IN PRAYER, SILENT SIGHT,  MOON MOMENTS , A SLICE OF SILENCE , ELUSIVE SPRING, MONSOON MEMORIES and WHERE BUDS REFUSE TO BLOOM, THE ENDLESS FLUTTER ,STARS IN THE COVID SKY, IMPULSE FROM WOODS AND SELECTERD  POEMS

He has received several awards including the national ROCK PEBBLES AWARD, 2017.

 


 

WHEN BELOVED RESIDES BY A LIGHT-YEAR

Nikhilesh Naduvannur

 

Another galaxy, another planet.

Frequency of love bridges two spheres.

 

Like an alarm set before slumber

Her love wakes him at any time.

 

What a silver speech!

Like a painter she unfurled her world,

With each brush stroke fantacy bloomed.

 

What lacks there?, he asked.

We lack territorial boundary, So nationality, citizenship and war seem a fable.

 

No wall sprouted in neighbourhood.

Our hearth cooks love.

 

Nobody peeps or steals, so home never closes its eyelids.

 

Here love is not forbidden

So as the moral policing.

 

Pure impure discrimination is not there,

So pubescent girl and meat eaters are not impure.

 

Here horoscope doesn't determine destiny,

 So as marriage.

 

God is yet to born, so religions and terrorism

Don't scoop our brain.

 

As we lack the above said there is no other and dislike.

What do you have on earth, she asked.

 

Earth is rich with what you lack in your sphere.

Honey, the wantings in your world allure me.

 

Now lets let our love to cuddle, he said.

They impregnate the zilch space of light-years with love.

 

Im Nikhilesh Naduvannur. I was born at Naduvannur, a village at Calicut in Kerala. Im a teacher of English by profession. I work in Indus English Medium School at Calicut.I penned screenplay for two Malayalam short films.I write poems in English and Malayalam. Besides I write short stories occasionally. I do translation work too. Recently I translated 20  poems in Manipur issue based anthology of poems entitled "Stain of Agony " in which the veteran Malayalam poet Sachithanandansir was a part. One of my translations got published in the sunday edition of African News Paper. I love to explore new territories in the world of literature.

 


 

THE LAST FAITH

Kanjilal

 

The three stumps of wood — the floating hope of

humankind on a rising sea.

Above, the vultures hover awaiting to feed on the

Carcass of human pride

The mangroves tremble, the fir and spruce

exchanging condolence

though entwined by fate to lead

each other to obliteration

My poem ‘A Noah’s Ark’

a refuge for he who offers his prostrated

obeisance to the left out green

***

The lost faith in the “world personified”

Or the Last faith in the Vedic prayer which sermons

to take shelter in the “Daru”

A thought torn and split apart

As like one who clings to the horizon either

immersed into darkness or fished out to light

As like someone deciding

Either to run into the popping crease

and defend the stumps

Or to run away and be stumped out

Eventually, the apprehensive mirror reflects

Either to recover what is lost

or to have believe in what would last.

 

To believe in thy white — thou phenomenal

Universe To have faith in thy black — thou the

Emptiness

To rely on thy red — thou garlanded

Passion

Wearing a brown of green, beholding

creativity — I preserve my

eagerness in your blue

Show me, guide me, make me

a primitive tribal to worship thou with trust

Lead me my wood thee “Saviour

of the fallen souls”

We too resolve to preserve thy eternity

and remove the loom what haunts the men

The Nero of the newfangled world

the father to Nino

who has been groomed to be

the Frankenstein

now discovers his descendant

to lead a mutiny against the

progenitor himself

The walls of Apollo crumble

the divine tragic justice befalls

on the mortals who were too

ambitious to be the Titans

Poseidon rising...

With no Leonidas left to desist

Nino at the Gates of Hell.

 

Only idolising the wood so indestructible

can one attain supremacy

Only comprehending the rotation of the discus

emphasising the change of time can

one help the mind

to cleave apart from matter

He who has no material hands and

feet but transcendental senses

He who stands on oblivion

He whose round eyes enlighten the

Stygian pitch dark

He who animates the deep rooting,

The climbing of airy stairs to embrace the sunlight

The spreading of boughs to offer shade

The bestowing of the boon of fruit

and flowers — all by thyself.

Inspires Mankind to be selfless

So that the wood may “pahandi”

to leave its rootfall everywhere

***

The white silvery salt of the

crawling desert,

now exhales the heat

Hunger and thirst hand in hand,

crawl below the sandy dunes to

be carried everywhere

 

Holocaust in the womb of greed

awaits the ice to melt

And famine whispers,

Land, land everywhere, with no

Green to see

Like the pagodas of Herod, the

temples will collapse with faith

being fake,

The church will be ruined,

with no confessions to make

and the mosque will have no one

to say “for God’s sake’’

All these happen when we live

just to take...

***

Every time I ascend the twenty-two

stairs, singing the song of the

holy hermit,

I rediscover the divine — how man

mingles with nature

and awaits the Day

when cataclysm will reunite

all the religions in the

citadel of wood

To taste the forgotten fruit of spiritual

Food,

which will be born out from thou

O’ stumps of wood.

 

My Lord that day this poet

will repose peacefully underneath

the holy shroud of your hood.

***

Destiny’s destiny in Man’s hand

The past slipping into the Seaman’s Land

The future will sprout from the

barren sand.

They will flee from the lands of fire,

They will march in fear from where

burns the pyre,

will be led by Moses of their time

will follow the far away ringing

of chime

To Babylon where the woods are

still dark and deep.

A gleeful haven for the innocent

sheep

To the land of midnight sun and lark

where the colours breakfast by nibbling

the dark.

Men queue at the brim of green for recluse

to return the wild the “stumps of wood”

A safe haven for sure and not

to lose

The final restoration of the last faith — an offspring of

My mood…

 


 

THE SLAUGHTER HOUSE

(Inspired by a Nightmare)

Kanjilal

 

Beneath the gruesome canopy of night

From which drizzles darkness, shade by shade.

Stands the tower of silence

Around whose outer ring slumbers flesh

Awaiting the bald heads who could

dig into their diet of carrion

Regurgitate and take off.

***

Underneath the frozen moon,

Around which circles the mist

Gazes the ceremonial blue stones

And rise the fumes in rings from the

incense placed

From afar whispers the hymns

sung by the Mongols.

***

Neath the clouds which frown

at the earth

Angels who alter evil at night.

Banter and chat the “Rogyapas”

Help the soul to move on from the

uncertain plane, between life and death.

Whereas the hawks feed on“Tsampa”

And the yaks walk away to freedom...

***

One must remember

“In life cover your private parts,

In death your face

As in the next world everything

will be unveiled”....

***

Just below the shield of darkness

Slant a craggy cliff

Coronated with varied boscage

Shielding the fire

which sprouts from a pyre.

Down the craggy hill,

Lies a cavern yawning incessantly

with its jaws open

Awaiting and greeting those who

have an appetite for flesh and blood.

While following the ants’ trail, Creep

the perpetrators.

The only difference is places changed,

roles reversed,

As yesterday’s victim today’s executioner

The preys of the past, play the decider.

From the stalactites tied upside down

Hang corpses of men who have undergone cadaveric spasm,

As they were hammered, trimmed, chiseled and daggered

and converted into perfect edibles,

Men who have groaned before death,

But now distended put to silence

like what the star had been before life.

Livor mortis

Rigor mortis

Doesn’t matter,

Skin slippage

Maggot, methane

Would be a platter.

Blood drips on, floods the floor

The poo filled intestine dragged with

force lie, scattered down by the door.

A satire sounds macabre indeed

For the vertebrate scavengers

Another day to feed.

Though the soil is stained, grim and cold

Everyone has food and everything

is sold.

On stony racks lie dipped in ethanol

Some fresh human babies,

Whereas few with pock marks,

skin ripped, chopped heads with

mouths sipping out fluids

stand to be devoured.

The foul smell of hydrogen sulfide hovers over

the plutonian world

with Bugs laying their eggs on the human nest,

Indeed a perfect specimen of mental

conjuring of moldering cadavers

what hunger has lured.

Leather belts

tanned wallets

is all that matter

Liver and kidney

Wigs and jackets

the demi Lord lies scatter

Now the social animals sacrificed

to appease the Testament

But what is justice, is that the

verdict has changed.

Now the rites of Taurobolium

well performed to gratify Avesta,

though the perforated platform

is the same, but the Minotaur

is clenched.

Now the books of Moses though

followed word to word

Though Exodus and Genesis

Guide the way,

But it is Man who is pegged to the guillotine

and Justice has its day.

***

The Appendix

***

Caught in a coop, me and many

awaiting our turn

Grinded in fear, besmeared with faeces

Trembling to get blended in a churn.

Hopping helter — skelter, won’t save us

Sticking together, won’t help the mass.

Someone there yells his last cry

floundering in agony, no prayer but

only sigh.

The Legend of Maori, come out to be true

With our flesh on beam balance

with no one to sue

While the walls of the cavern

Painted with hue

Echoes for no mercy

As avenge is due…

‘’FEAST OF SACRIFICE” ;

Is yet to be trialed

‘’CORRIDA DE TOROS’’;

Answer the petitions filed

GADHIMAI and YULIN

Brothers in hand

The world will be a better place

Once you are banned’.

 

Kanjilal has a heart and soul like us full of emotions – he laughs in pain, and weeps in anger yet fulfills his routine responsibilities to get going. His beliefs are framed around the notion of ‘constantly’ committing good to negate the evil deed, which is portrayed through his composed poetry.

In 2015, he penned his first book titled Fateless 13 (publisher: partridge) , an accumulation of thirteen poems that demonstrate every aspect of life, beginning from birth to death.  After more than six years, in 2022, he authored the book 11 Oracles, published by White Falcon Publishing which comprises a five-part series of poems.  In addition, he is a director and senior lecturer at Educare The Institute (E.T.I) Kolkata, one of the prestigious academic institute that has guided over 15000 students .

 In 2009, he received recognition for contributions in literature and education sector from Rajasthan Patrika and was awarded the best poet award in the kolkata literary Carnival 2024.

 


 

SPRING EQUINOX

Barsa Ray

 

A pair of knees, shins, feet, angle-poise on driftwood,

toenails gaze at a crescent

of basking cars facing a palm-fringed bar.

 

Waves wait for the Moon to rise

in conductor’s coattails. Stagehand gulls sweep crumbs

off the boards, the wind slants its bow on the swell.

 

Cliff tunnels the wings where trucks boom thunder

bass from speakers, bottles clash treble

empty of their drink, sing an octave higher.

 

Yellow taxis stage-manage on the tarmac scythe,

flashing eyes at the salt-caked locks

and spiky bark suits the palms have rocked up in.

 

Knees ready for their Act One call.

The audience restless, rumbles.

Full Moon ascends, raised baton,

 

the line to the sea pulls taut. Hook in throat,

waves climb fifty, sixty feet; crescendo.

The breakers reach fists, smash up the show.

 


 

YEAR OF CAPTIVITY, OF JOY

Barsa Ray

 

The ribs of its vault cracked open, unlocked to the blue,

green growing nave, the golf course a cathedral

— ranks dispersed, now a sacred, open space.

 

Sunday morning, two deer drum hooves on the fairway, 

a heartbeat I hear through the soles of my feet.

Their ears prick, noses catch my scent

 

invading this haven. They remember a time before my kind

built monuments to worship a heaven elsewhere,

leap from the temporary frieze, disappear

 

through woods, their safe-holds for millennia,

leave me with a vision: let trees be the only towers I see.

 

Silver birches torch another dim morning,

their flicker flames lighting one last week before leaf fall

and instead of a canopy, they'll bear wreaths of birdsong.

 

The wicks of their trunks notch the sky,

counting how long I'm barred from my appetites;

Lent's eaten nearly a year.

 

I, prodigal, who emptied this land of wolf howl, bear claw

am born again, receive communion, realise

if I'm bound, they run and fly.

 

The choristers of branches descend — warble, trill, chirr,

write me new hymns, catechisms of joy.

 

Barsa's short stories have been published in Mslexia, Weighted Words (Peepal Tree Press), Present Tense (Dahlia Press), and Fly On The Wall Press. Her poetry publications include Indian Literature, Filigree (Peepal Tree Press), Magma, and Skearzines. She has been listed in Fish, TLC Pen Factor, Northern Writers' Award, The Book Edit, Asian Writer First Novel competition. She has an MA in Creative Writing from the University of Leeds, UK. She lives in Leeds.

 


 

LAYERS OF ESSENCE

Dr. Ajay Narayanan

 

Staying charged,

for felling

like a lumberjack

on your soul,

Oh, the giant tree.

 

Yet I surrendered

and stood like a statue

on the ground,

Head hanging down.

 

Far away

the silent phantom

murmuring...

 

Buddha in the dark,

whose neck is slashed

and flowing

Hot stream of blood!

 

Hey,  Budha

Oh, Universal citizen

shed your skin

and

Hide your nakedness

with fresh banyan leaf,

and be awake!

 

"Ma, ma," cried the breeze.

Does it mean,

‘Oh, No‘?

 

I am Ajay  Narayanan, born and raised in Kalamassery,  in Ernakulam district, Kerala.  I come with about 35 years of teaching experience abroad.  While pursuing my career, I was afforded an opportunity to engage in research in the field of education.  After my retirement from work during the Covid era, I started exploring Malayalam literature. In a way, it was a journey of self-realization. So far, I have published three books in Malayalam, edited a couple of anthologies of poems and short stories including a book in English.

Published books - Parabola - Anthology of poems, in 2022. Avadhootham - Stories, in 2023. Thekkedathamma v/s Ramakavi - Stories, co authored by Darshana, in 2023.

I found my writing activities self revealing, fulfilling and empowering. I thoroughly enjoy these initiatives. The founding stones of my achievements were laid by my late parents Sree Narayanan and Sreemathi Sundaram. My wife, Umadevi and our only child Dr. Bhavana (Ireland) supported me in the process of becoming a writer. I believe that I am still learning.

 


 

BURNIN' FREE IN AUTUMN

Anantha Krishnan V

 

Oh this life

burnin' like a candle.

Slowly burnin' away

till it can no more

 

So fragile

that the wind could snuff it out

struggling to light up the way

as if the darkness swallow's it up

 

Oh my heart

light and empty

still weighed down by somethin'

hopin' to break free

 

So lonely

yet not alone

stumbling in the autumn

Waiting on the spring.

 

I am Anantha Krishnan V, hailing from Quilon, Kerala, as of now I'm 18 years of  age, having completed my highschool education and am currently preparing for entrance exams for college. I have a passion for writing poems in my free time. This is the first time I'm submitting on a public platform and hopefully get some constructive feedback.

 


 

BEYOND THE CLOUDS

Raju Samal

 

              I

When the day dawns

time begins

 

when the next day dawns

time  begins

 

such moments

when nothing happens

time begins

 

only other things continue to end

 

2

       

Time is a rive

without banks

 

yet

it does not

 get flooded anywhere

 

its depth

depends

on how much we sink

 

Raju Samal is an international award winning poet. He writes both in Oriya and English. He is M.A.in English Literature from Ravenshaw College. He has five volumes  of poetry in Oriya and four volumes in English. He is a visiting Faculty to Mumbai University. He retired as General Manager from The New India assurance Company .      Mob.no.9029970144 ,email rajusamal007@yahoo.co.in

 


 

A WALK IN THE EVENING

Abani Udgata

 

The sky.

A line of flapping wings

speeds to horizon across

the sullen face .

The city lights

sputter in to motion,

limbs are uncrossed.

The stroll ambles in to

the lazy evening.

known, unknown

faces float in foggy

chatter of dry words

in retreating winter.

And you strain to listen

through the drone of mosquitoes.

A lone cat in dreamy eyes

stares at the departing light

in the eyes of an old man.

A sack-full of years weighs

on his shoulders, years that lost

alphabets long ago.

After the bloodied rites of the evening

on the streets, calm emptiness

of the wind stepping inside dark overall.

A lonely lonely town overseen by

a broken moon.

Tomorrow will never come.

Abani Udgata lives in Bhubaneswar. Writes poems both in English and Odia. Udgata has been awarded in all-India poetry competitions and published in anthologies. He has been a regular contributor to LV. Email: abaniudgata@gmail.com

 


 

PANCHGANI, BUT YOU!

Dr. Nanda K.Biswal

 

Its relaxed ambience haunted me

like a passion-

the tall rocks, the mountains encircling it,

the deep and not so deep wood-

their colours and their forms were

an appetite.

But your presence and the aroma

of love,

like salt water, making one more thirsty

when taken,

whetted my appetite for more.

Oh! how we felt we were

God’s blue-eyed and

all the riches and luxuries showered on us

would tire us out.

Our words were echoed in

the fragrance of the flowers.

As the birds in the trees heard us,

their cacophony began to come down and turned

into euphony in approval.

There was blissful happiness

in your beatific smile,

as if nature’s signature.

In the midst of whispering sweet nothings

as you said, “I will always be there for you”,

the world turned bright for me.

I am a lover, never betraying

nature’s heart and its trees,

never also losing the forest for the trees;

loving a woman in more ways than one,

but never thinking for many.

Ephemeral is the world and beauty

evanescent; the only lasting beauty

is the beauty of heart.

 Let’s take heart then,

our love will recycle like human soul

and return in another way.

 

Dr. Nanda K Biswal is passionate in reading poetry & intermittently have been writing poetry since his college days.1996 to1999 was the most fertile period for him when my Odia poems were published in almost all Odia dailies as well as in most of the Odia magazines.  Also he write English poems and have authored 'The Fictional Transfiguration of History in the Novels of Salman Rushdie, Amitav Ghosh and Rohinton Mistry '. Besides, He has edited ' Prananath Patnaik: A purveyor of Egalitarianism'. Currently, He is engaged in writing reviews of the poetry books of the new poets who write in English.

 


 

ANGST

Jay Jagdev

 

The ‘You owe me’ list does not contain,

the hundreds of things you didn’t maintain.

My angst stems not from the things you never did,

but from the fact that you never admitted that you never did.

 


 

LET`S BURY IT IN OUR OWN HANDS

Jay Jagdev

 

Let it be buried, unknown, unsung like an unwanted child,

In the darkness of the night, before we change our mind.

 

With no entries made in the registry, and the keeper looking away,

we will be lucky if no one comes our way.

 

With the breaking of the rays, we can smile sans fear,

Not recognize that patch of clay which the keeper would have cared.

 

It would then just be a number,

a date we will not remember.

 

We would go about living our perfect lives,

With the sound of tiny footsteps following us forever.

 

Jay Jagdev is an entrepreneur, academic and author. He is a popular blogger and an essayist. His foray into poetry is new. His essays are regularly published in Odishabytes and his poems on life and relationships have been featured in KabitaLive.

He is known for his work on sustainable development and policy implementation. As the President of the Udaygiri Foundation, he works to preserve and develop native language, literature, and heritage by improving its usage and consumption. More can be known about him on www.jpjagdev.com

 


 

INSATIABLE THIRST

Dr R S Tewari Shikhresh


The more money,the more power and the higher position ,
Is there any end to these
or even any kind of transition?

This endless hunger breeds a voracious wild animal,
That eats one's peace and
also oft  gets a  revival .

Life needs even many more things but in relative terms ,
Maddening makes one fall into mud of wallowing germs.

The insatiable thirst draws one into the ocean ,
That is bottomless,complex
psyche of Trojan.

Life is destined in terms of days and nights ,
As no fraction can be added despite all flights.

Let 's make it useful and
meaningful as well ,
Free from frivolous falls,dellima and enthrall.

 


 

MERGED INTO ONE 
Dr R S Tewari Shikhresh


When two cores are merged into one ,
It needn't be conveyed to anyone 
About the travail they have undergone 
To make their dream a paragon. 

Being one with and getting 
awakened ,
Kindles a fire and fidelity to be strengthened
The hush of breeze on dew drops ,
Conspire with the sun , yielding crops .

Then life turns into a musical strains,
Subsiding undue mundane constrains.
Peace and comfort breed  
blissful energy ,
Apathy and ailments turn
into synergy.

Here lies the metaphysical quest
Of togetherness  that leads to the crest
Of truth ,beauty and divinity
On this plane of complexity .

 

Dr R. S.Tewari 'Shikhresh' is a retired Assistant Director(O.L.)from Govt of India ,awarded by Honourable President of India,Honourable Governor of Uttarakhand and U.P.,Honourable State Home Minister (Govt of India) for commendable work in Official Language of the country is an M.A.( English Literature ,Hindi Lit. Philosophy ),PG Dip.(Translation and Journalism )and Ph.D.in Philosophy of Religion ,

Dr Tewari to his credit has 23 books of English verses,Hindi verses,books on Official Language and English Grammar.He has delivered more than five hundred lectures in various workshops on various topics.He has written more than a dozen of reviews of books in Hindi and English. Having started his career as an English teacher ,Dr Tewari worked as a Translation Officer, Hindi Pradhyapak and Assistant Director (Official Language) in Income -tax Dept.He has also served as a Consultant, Officilal Language and Communication in a training Centre of the ministry of MSME.

He has also worked in the Departments of Philosophy and Journalism in Agra University as a visiting faculty for a short span. Presently, he is a Visiting Faculty in the distance cell of D E I Deemed University, Dayalbagh ,Agra (UP),India.

 


 

ONLY YOURS... (Prose Poem)

Hema Ravi

 

“You would not stand on the top of a burning building

hoping that Batman might swoop down and rescue you…”

If you do, it’s your choice, only yours...

 

In the cool comfortable air-conditioned room,

if you are perspiring, it’s your personal predicament;

only yours....

 

At the busy traffic intersection, if you choose

to honk persistently with annoyance,

please do!  Irritation and Impatience

yours, exclusively yours…

 

If you thought fishes in the oceans can swim wherever and

birds have not a care flying across the bright blue skies,

choose to be them..

To do or not to do is yours, by choice,

exclusively yours...

 

Hema Ravi is a poet, author, reviewer, editor (Efflorescence), independent researcher and resource person for language development courses... Her writings have been featured in several online and international print journals, notable among them being  Metverse Muse, Amaravati Poetic Prism, International Writers Journal (USA), Culture and Quest (ISISAR), Setu Bilingual, INNSAEI journal and Science Shore Magazine. Her write ups and poems have won prizes in competitions.

She is the recipient of the Distinguished Writer International Award for excellence in Literature for securing the ninth place in the 7th Bharat Award, conducted by www.poesisonline.com.  In addition, she has been awarded a ‘Certificate of Appreciation’ for her literary contributions by the Gujarat Sahitya Academy and Motivational Strips on the occasion of the 74th Independence Day (2020) and again. conferred with the ‘Order of Shakespeare Medal’ for her writing merit conforming to global standards.(2021). She is the recipient of cash prizes from the Pratilipi group, having secured the fourth place in the Radio Romeo Contest (2021), the sixth place in the Retelling of Fairy Tales (2021), the first prize in the Word Cloud competition (2020) and in the Children’s Day Special Contest (2020). She scripted, edited, and presented radio lessons on the Kalpakkam Community Radio titled 'Everyday English with Hema,' (2020) a series of lessons for learners to hone their language skills. Science Shore Magazine has been featuring her visual audios titled ‘English Errors of Indian Students.’

A brief stint in the Central Government, then as a teacher of English and Hindi for over two decades, Hema Ravi is currently freelancer for IELTS and Communicative English. With students ranging from 4 to 70, Hema is at ease with any age group, pursues her career and passion with great ease and comfort. As the Secretary of the Chennai Poets’ Circle, Chennai, she empowers the young and the not so young to unleash their creative potential efficiently

 


 

YOU AND ME

Sudipta Mishra

 

Miles apart we reside

But it's the string of memory

That digs your presence in me

A smile appears after years of remorse

Though I have buried you for never melting in your honeyed words 

It's so strange, you see

Your absence is enough to break me into pieces

Like molten lava , all memories flow into  my blood

Causing an unusual , stirring sensation inside my body

It awakes my drowsy feelings from the sea of misery

I have erased you many times my dear

Wiped your thoughts that had lulled  me again and again

Rubbed my heart where bruises had lived for years

Debarred my eyes from being intimate with the moonlit night

For the moon keeps  me awake the entire night

Spent sleepless nights for years

As nights tempt me to dream of bygones

Still your messages spiralling up  in the serpaintein  lanes of memories

By quoting in the lone sky- " Earth and sky can never meet like you and me" ...

 


 

TRAVERSING IN DREAMS

Sudipta Mishra

 

Welling emotions cannot hold my breath

I wish I could grasp the moments of yore

With so many dreams, I cajole the bygone memories,

But " Dreams take flight, a symphony of longing, till love finds its way" 

 

After so many fake trials I again fall in love with you

I know it's a mirage where no more I could rescue 

But it's the web of unknown desires

For slipping into the slithery land of hunger

 

Longing to find solace in your warm embrace

I decode the rules of the same theories again

Dreams don't sync with real memories

Still, the silly eyes desire to dive into the empire of fantasies

 

With the echoes of  whispering night birdies

Let the heart meet with its final destiny

May the love find its way 

Two souls converge in the dark alley

 

Sudipta Mishra is a multi-faceted artist and dancer excelling in various fields of art and culture. She has co-authored more than a hundred books. Her book, 'The Essence of Life', is credited with Amazon's bestseller. Her next creation,  'The Songs of My Heart' is scaling newer heights of glory. Her poems are a beautiful amalgamation of imagery and metaphors. She has garnered numerous accolades from international organizations like the famous Rabindranath Tagore Memorial, Mahadevi Verma Sahitya Siromani Award, an Honorary Doctorate, and so on. She regularly pens articles in newspapers as a strong female voice against gender discrimination, global warming, domestic violence against women, pandemics, and the ongoing war. She is pursuing a Ph.D. degree in English. Her fourth book, Everything I Never Told You is a collection of a hundred soulful poems. Currently, she is residing in Puri.

 


 

BETWEEN US

Ravi Ranganathan

 

Between us

There is always something

To recollect, to assess

To remember

Such is our thought process.

 

Between us

There is always something

To give, take and think.

To share,

Such is our natural sync.

 

Betwee us

There is always something

To fine tune, understand.

To relate,

Such is our natural bond.

 

Between us

There is always something

To rejuvenate memory,

To fall back,

Such is the innate empathy.

 

Between us

There is always something

To decipher our ways,

To decode our creations.

Such is the 'No expectations'

Between us!

Ravi Ranganathan is a writer, critic and a poet from Chennai.  Also a retired banker. He has to his credit three books of poems titled “Lyrics of Life” and  “Blade of green grass” and “Of Cloudless Climes”. He revels in writing his thought provoking short poems called ‘ Myku’. Writes regularly for  several anthologies. His awards include recognition in   "Poiesis award for excellence" of Poiesisonline, Sahitya Gaurav award by Literati Cosmos Society, Mathura and’ Master of creative Impulse ‘award by Philosophyque Poetica. He contributes poems for the half yearly  Poetry book  Metverse Muse . He writes regularly for the monthly  webzine “ Literary Vibes”  and “ Glomag”.He is the Treasurer of Chennai Poets’ Circle.

 


 

THE ORACLE

Satya Narayan Mohanty

 

I

With a saintlike face and ghost like soul

Ghoulish thoughts and macabre turns,

Eyes cold like quiet running water

Underneath,  Snakes playfully slither.

 

II

How many myths be created

To make the humans demon?

How much of history to be defaced

For truth to subborned?

Lies fly with abandon

Truth comes only limping after,

Cruelly buried under ideology

While history was forgotten in a whim.

Myths the shift from hand to hand,

Eye to eye

And they become resplendent as Gods.

 

III

Stories catapulted into orbit

Only go round and round.

The Oracle invents science

When none existed,

Spins yarns of tales and narrative.

We quiver on the edge of real answer,

When they regale beyond the closed door of myths

Dr. Satya Mohanty,  a former officer of the Indian Administrative Service , was the Union Education Secretary as well as Secretary General of the National Human Rights Commission before superannuation. He has also held several senior positions in the Government of Andhra Pradesh, a state in the Indian Union. HE has authored a book of essay in Odia, The Mirror Does not Lie and a book of poems in English( Dancing on the Edge). He is a columnist writing regularly on economic and socio- political issues, Mohanty was an Edward S, Mason Fellow in Harvard University and a SPURS visiting scholar in Massachusetts Institute of Technology in Cambridge, USA. He has been an Adjunct Professor  of Economics in two universities  and is a leading public communicator. His second volume of poetry will come out soon, He lives in Delh

 


 

MIRACLES

Sreeja Sree

(Translated by Sreekumar Ezhuththaani)

 

On starry nights, up in the sky

Two winged creatures do fly high

Filled with love's sweet call,

Born to love, giving it their all.

 

Just like stars twinkling up high,

Spreading love's light as they fill the sky.

Remember, those who forget to love from the soul,

Miss out on the greatest joy, the ultimate goal.

 

Boundaries we build, dividing us,

Religion, and caste, create walls between us.

But our minds know no fear, they soar high and free,

Breaking down barriers for all to see

 

How long will their world spin, you might ask

Love's endurance is no simple task.

Through time and space, it will always endure,

Love's victory, forever pure.

 

Mrs. Sreeja Sree from Kattuppara, a village in Malappuram, Kerala, India, is a multi-talented mother. She writes, composes, sings, illustrates, and makes her living as a dance teacher at her own dance school, after teaching herself classical dance forms like Bharatanatyam which is almost impossible to learn on one's own.

 


 

MY DREAMSCAPE JOURNEY

Dr Bichitra Kumar Behura

 

I am little hypnagogic

at middle of the night.

The sky is bright,

the stars seem drowsy

flickering and hazy,

the sea is in slumber

busy snoring

while the waves waltz

in divine rhythm.

 

Still in sleep,

the silhouette of my frame

remains quiet,

I get up and

start walking

with no soul in sight,

thoughtlessly,

I proceed,

sleepwalking,

on the quiet beach.

 

The cold breeze

comes from behind,

little naughty

and enthusiastic,

whistles few thoughts

into my ears

so that I keep myself busy

with self-talking.

 

I find,

I am not  alone

as whole of the universe

Descends

engaging me

in the spectacle of nature.

Difficult to ascertain the locus,

unable to measure time,

I feel little warmer

as the sun rises

opening up my eyes

ending my dreamscape journey.

 

Dr. Bichitra Kumar Behura, is an Engineer from BITS, Pilani and has done his MBA and PhD in Marketing. He writes both in Odia and English. He has published three books on collection of  English poems titled “The Mystic in the Land of Love” , “The Mystic is in Love” and “The Mystic’s Mysterious World of Love” and a non-fiction “Walking with Baba, the Mystic”. He has also published three books on collection of Odia Poems titled “ Ananta Sparsa”, “Lagna Deha” and “Nirab Pathika”. Dr Behura welcomes feedback @ bkbehura@gmail.com. One can visit him at bichitrabehura.org 

 


 

A CHANGED WOMAN

Setaluri Padmavathi

 

In the caliginous cosmos

When words were borders

And customs became principles,

she moved at a snail’s pace,

as innocent as a lamb!

 

Inequality prevailed on one side,

Scarcity of opportunities on the other

Within the limits of society

And traditions that chained her,

She lived as blind as a bat!

 

The woman ever played a dual role

The home was her major ground

The organization was the latter field

Inferiority complex, and inequality

Made her a chivalrous warrior!

 

Radios brightened her brain

Televisions tackled her stress

Gadgets enhanced her caliber

Machines modified her skill,

I see a changed woman now!

 

Mesmerizing confidence in her speech

Innate talents at her workplace

Balancing the mind in multiple places

Overall mental progress and thoughts

Label her an empowered woman today!

 

Mrs. Setaluri Padmavathi, a postgraduate in English Literature with a B.Ed., has been in the field of education for more than three decades. Writing has always been her passion that translates itself into poems of different genres, short stories and articles on a variety of themes and topics. She is a bilingual poet and writes poems in Telugu and English. Her poems were published in many international anthologies and can be read on her blogsetaluripadma.wordpress.com. Padmavathi’s poems and other writings regularly appear on Muse India.com. Boloji.com, Science Shore, Setu, InnerChild Press Anthologies and Poemhunter.com

 


 

BIRTHDAY BINGE

Vidhya Anand

 

I, deep in my slumber, lost in the wild,

Fervent in my dreams no more around,

A flash of light does emerge in my mind,

Yes, buzz in my mobile, there it goes…….

Day with toothsies suddenly white,

Coffee, emerging heavenly with smile,

Showers fragrant with fresh bloom,

Decked in chic attire, revealing joy,

Crusty bread too, burnt yet crisp,

Never tempts to throw waste.

 

Free loads of wishes and messages,

Queen I am, in my fantasy carriage.

Some shed your aging, some shred your agony.

Some amaze it all through love deep.

Gheroed in gifts and gratitude,

Today, is the day, humane, I salute.

Hours wheeling past bitter memories,

Today is perfect only wrapped in surprise.

Here it comes, ye, starry night,

Waiting to close the curtains tight.

Isn’t this exciting for me to write!!

 

Vidhya Anand is an enterprising woman with a successful career in Training and development for almost two decades, she has been providing quality training in communication skills and other soft skill programs in leading IT and non-IT companies. She has conducted career guidance programs to young college students in chiselling their future towards their goals in profession

Her forte in style and accentuation, has catered to be a talented voice and accent neutralization expert during cross cultural training sessions. She has been an influential speaker and anchor in social and welfare workshops on special needs children and their wellbeing. She has been a passionate writer penning down poems and articles for magazines too. Her role as a persevering mother of an autistic boy has all along been driving him towards progress and positivity in his life. Words and expressions are rooted in her personal anecdotes and narratives, fresh from her own perspective.

 


 

A DUSKY EVENING

Sujata Dash

 

 

A dusky evening sizzles

by the fireplace

steeped in warmth of snuggles

and colossal joy

relaxing ambience exalts

prospects of endearment

as throbbing pizzazz courses through

tenuous embraces

 

acquaintances and pals arrive

bridling excuses lame and contrived

a few out and out honest

some slathered with pretense

but the quaint mix makes a whole

as night catches on and deepens

 

plush comforts of hearth and home

tell a tale of hygge, yield a warm glow

nostalgic whiles bunched to

the aging frame tingle faded

and erased memories

groom us to listen to

the compelling voice of life in living

 

pouring drinks and their heart out

they indulge in banters and quips

recalling days gone by with probity

In the gentle grasp of bonhomie

secrets find a berth and giggles do round

as babbles imbue loads of toasty feelings.

 


 

NAIVE

Sujata Dash

 

Was it infatuation

or true love?

I ask myself

while summing up

the precise pinch

leaves me sullen faced and dolor

 

sorrow has become

a telling motif

in the ambience of my life

I am hedged of late

by the company of

snivels and sighs

 

life rattles along

amid aural chaos

but I wean each day

teeter on the brinks of fragmentation

 

I hate you but miss you

at the same time

as on when sweet nothings of yore

haunt my starry nights

 

Intrigued layers of separation

is too deep to fathom

I wish you draped your arm

around my shoulder

embalmed cawing feelings of hurt

 

Alas! This was not to be

as you were miles away from verity

scourged me like a seasoned usurper

and I was too naive to fathom

your ways and means.

 

Sujata Dash is a poet from Bhubaneswar, Odisha. She is a retired banker. She has three published poetry anthologies(More than Mere-a bunch of poems, Riot of hues and Eternal Rhythm-all by Authorspress, New Delhi) to her credit. She is a singer, avid lover of nature. She regularly contributes to anthologies worldwide.

 


 

IT'S JUST A HUG?

Madhumathi H

 

Oh but I feel my pain, aches, instantly crumble

My fears evaporate

Loneliness leaves my soul, waving a forever goodbye

In your warmth, my quivering tears find a fireplace

You say, "Am there, I understand" without words...

For

Your hug, is not just your arms around me

It's my home, when you hold me.

 


 

DEAR CONSTANT...

Madhumathi H

 

Will i becoming "BORING' to you

With the same rants on pain, challenges

Of how tired i am, or

How i trudge each day, or long for healing?!

Will you find me overwhelming

A walking talking carrier of aches, and complaints

Will you find me sullen, while my wounds are raw?!...

"NO" said the mirror.

"I love you. I will never leave you."

Be your own anchor, your own sunshine

You have YOU.

 

A bilingual poet-writer(Tamil, English), Madhumathi. H is an ardent lover of Nature, Poetry, Photography, Music. Her poems are published in Anthologies of The Poetry Society(India), CPC- Chennai Poetry Circle's EFFLORESCENCE, IPC's(India Poetry Circle) Madras Hues Myriad Views,  Amaravati Poetic Prism 2015, and in e-zines UGC approved Muse India, IWJ - International Writers Journal, Positive Vibes - LiteraryVibes, Storizen, Science Shore, OPA – Our Poetry Archives. e-Anthologies Monsoon moods - Muse India, Green Awakenings - On Environment, by Kavya-Adisakrit.

Ignite Poetry, Breathe Poetry, Dream Poetry, Soul shores that have 10 of her poems published, Soul Serenade, Shades of Love-AIFEST,  Arising from the dust, Painting Dreams,  Shards of unsung Poesies, are some of the Anthologies her poems, and write ups are part of. (2020 to 2022). Besides Poetry, Madhumathi writes on Mental health, to create awareness, break the stigma, believing in the therapeutic, transformational power of words. Contact: madhumathi.poetry@gmail.com :: Blogs:  https://madhumathipoetry.wordpress.com :: http://madhumathikavidhaigal.blogspot.com/?m=1

 


 

THE CHARM OF DISTANCE

Dr (Col) Rekha Mohanty

 

When you look up

standing on a ladder

perched on ground

seemingly reached high

up to the sky,

The end looks very distant.

 

 In the ladder of life,

 Age forty is distant

 when twenty,

 

 Sixty is distant

 when thirty,

 

And at forty also

Eighty seems very distant….

 

It gives a good feeling

of reassurance that

we are still young,

lots of time

to chase our dreams

one after another

Would scale milestones,

       Won’t let the age

        come on our way

        would go very strong…

 

 We don’t realise

 how fast we grow,

 It seems like a blink

 we hit forty,sixty or

 more than eighty,

 we adapt the changes

 in and around and flow….

 

 we keep on running

 to score more and more

 even if time signals

 us out to disappear….

 

 We remain persistent,

 The elusive and unseen

 last step of ladder

 might be somewhere near

 

 But still seem very distant…..

 

Col( Dr) Rekha Mohanty is an alumni of SCB Medical College, Cuttack, Odisha and she has spent most of her professional life in military hospitals in peace and field locations and on high altitude areas.She has participated in Operation Vijay (Kargil war)in 1999 and was selected for UN missions in Africa for her sincere involvement in crisis management of natural calamities in side the country and abroad where India is asked to do so in capacity of head QRT in Delhi for emergency medical supplies.She had also participated in military desert operation

’ Op Parakram’ in Rajasthan border area.After relinquishing Army Medical Corps in 2009,she worked in Ex Servicemen Polyclinic in Delhi NCR and presently is working in a private multi-speciality hospital there to keep herself engaged.

Her hobby is writing poetry in English and Odia.She was writing for college journals and local magazines as a student in school.

Being a frequent traveler around the world,she writes travelogues.The writing habit was influenced by her father who was a Police Officer and used to write daily diary in English language he had mastered from school days in old time.Her mother was writing crisp devotional poems in Odia language and was an avid reader of Odia and Bengali books.Later her children and husband also encouraged.

Dr Rekha keeps herself occupied in free times for activities like painting, baking and playing card games the contract bridge.

She is a genuine pet lover and offers her services to animal welfare organisations and involves in rescue of injured stray dogs.Being always with pets at home since early childhood ,she gives treatment to other dogs in society when asked for in absence of a vet.She delivers talks on child and women health issues to educate the ladies in army and civil.

After sad demise of her husband Dr( Brig)B B Mohanty in February 2023,she devoted more time to writing and published her first poetry book’Resilient Leaf’in August 2023.Since then there is no stopping and she is going to publish her second book of poetry soon.

She enjoys reading E magazine LV , newspaper current affairs ,writing poetry and watching selected movies whenever she gets time.She keeps travelling places of interest in between for a change which is a passion as a girl since days roaming with parents and siblings .Her motto is to be happy by giving the best to self and to the society.She is lucky to have a supportive family.

 


 

LOST FOREVER

Annamalai M

 

I played far excellent game

Khaja knows this better

I sang Suseela’s songs so sweet

Gopal stood exclaiming that

I lauded streams and waterfalls most

Rajendran shed shower on me for that

I wrote love(ly) poems on affection

Which took special note by sister Nilofer

I dressed well with handsome-consciousness

Kanagu delved on this with paise

My handwriting was petite with cute symmetry

Jayaram was much fond of it

I kept books and notes so spick and neat

That Sounder was at it with encomium

I had exhibited fitting manners towards kith and kin

Chitra’s mom admired with plaudits

I had a good physique with karate skill etc.,

Which was ever spoken with kudos by Mohan

I respected and was stooping to elders

My teachers and parents of pals commended on that

 

There were all from ten to some years on

But

The game, songs, water- bodies,

Fresh books, verse and poems

Are all well there;

Yet the hand written scripts wobbling,

Physique faltering, dresses withering and wrinkling

But the respectfulness has no recede

However,

Chitra’s mother, teachers, Mohan, Jai,

Kanagaraj, Sounder,  Nilo,

Raj, Gopal, khaja— have all

Left me , in my this age of seventy plus

Wherein , Alas I don’t, I long for

Such

Apreciation and celebration!

 

Annamalai M is from Erode in Tamil Nadu. Worked in the state electrical utility . Possesses master degree in English literature . Member of Chennai Poets circle . Had written poems in Tamil and in English. Fond of travel .


 

SOUND OF SILENCE

Dr. Paramita Mukherjee Mullick

 

Listen to the sound of silence.

The birds twittering on the trees.

Listen to the sound of solitude.

Happiness without any fees.

 

Listen to the sound of silence.

The glow of the new sun all around.

Listen to the sound of inner symphony.

In love let’s all abound.

 

Listen to the sound of silence.

The voice and music of solitude.

Listen to the story of your soul.

Immerse yourself in your inner being,

       enjoy the mental interlude.

 

Dr. Paramita Mukherjee Mullick is a scientist, a national scholar transformed into a globally loved, award-winning poet. Her poems have been translated into 40 world languages and she has published 9 books. A globe trotter she loves calling herself a global citizen. Not only does she write poems but she promotes peace poetry, multilingual poetry, global poetry and passionately promotes indigenous poetry. Paramita believes that by promoting indigenous languages, she can bring some endangered languages into the main stream. In 2019, she got the Gold Rose from MS Production, Buenos Aires, Argentina for promotion of Literature and Culture. Apart from  many awards like the Sahityan Samman in 2018,  Nobel Laureate Rabindranath Tagore award in 2019, Poetess of Elegance 2019 and many more she was one of the recipients of the prestigious Panorama International Literature award from Greece in 2022. Paramita is the President and Initiator of the Mumbai Chapter of the Intercultural Poetry and Performance Library (IPPL) and also the Cultural Convenor and Literary Coordinator (West India) of the International Society for Intercultural Studies and Research (ISISAR).

 


 

THE   FL AVOUR

Bipin Patsani

 

A common mind

Broods on common things

Of humble origin,

The common problems faced

In the familiar world of wants

Which it inhabits,

Destined often to inherit

Responsibilities and deception,

But no fortune.

 

To think of the unique, uncommon

In the glittering world of fashion,

One has either to stick to shows

Or tend to forget his woes

So as to savour a different image

Decked with colour and camouflage.

 

But the common man, not so cunning

Like a chameleon, is alien

To the luxury of dancing in the rain.

Losing much of his time

In his toil for Dal and Roti,

He sweats in the heat and dust

So much usual in the Indian Summer

That regulates his imagination.

 

Exhibitionism like elitist poetry

Is summer snow in a high-tech city.

 


 

THE   FEEL   GOOD   FACTOR

Bipin Patsani

 

If a gift of goodies and hollow promises

Can remove the pain of living,

No one what so ever

Will remain unhappy in this world.

 

That you are feeling good

And they are feeling good,

Don’t justify that all is well

And I must feel good as well.

 

People take so much care of their own feelings

That they don’t have time to bother

About the feelings of others,

Not even of a brother.

 

Feeling or not feeling good is personal.

Occasional showers don’t determine

The feel good factor.

Success here can’t heal ‘the wound elsewhere’.

 

The fear of the grim finality

Of falling back to the barbaric,

And the callousness of the amused,

Kills eventually all integrity.

 


 

NOT   IN   HEAVEN

Bipin Patsani

 

Not in heaven,

Nor in shrines on earth,

God loves to be there

In our heart.

 

A war in the name of God

Only widens the distance;

What joins us with Him

Is our love and goodness.

 

What good is there in the world

If there is no rhythm in life,

And what is horned around

Is just the projection of lies?

 

Bipin Patsani (b. 1951) has published poems in many prestigious journals and poetry anthologies including Indian Literature, Chandrabhaga, Journal of Indian Writing in English, Indian Scholar, Kavya Bharati, Poetcrit, International Poetry and Prophetic Voices etc. He has been translated to Spanish and Portuguese. He has three poetry collections to his credit (VOICE OF THE VALLEY, ANOTHER VOYAGE and HOMECOMING). He is a recipient of Michael Madhusudan Academy Award/ 1996 and Rock Pebbles National Award in 2018. He did his Post Graduation in English at Ravenshaw College, Cuttack in 1975 and served as a teacher in Arunachal Pradesh for 34 years till his superannuation in 2012. He also received Arunachal Pradesh State Government’s Award in 2002 for his dedicated service as a teacher. He lives with his family at Barunei Colony, Badatota in Khordha District of Odisha, India.

 


 

THIS LAND

Aneek Chatterjee

 

Please come once, before you

depart this ‘shoddy’ land.

Sunshine is abundant here;

breezes, cold or warm, don’t

hesitate to kiss

trees and rivers here.

Here, jungles are deep and

mysterious, like us, inhabitants.

Here paddy fields have vowed

to spread green to the sky.

and every cottage is

a melodious song.

 

Stand in front of the jungle

to sense mystery; talk to the

river for unending fables.

You may favour these again,

like our lost childhood.

 

Aneek Chatterjee is a poet and academic from Kolkata, India. He has published more than five hundred poems in reputed literary magazines and poetry anthologies across the globe. He authored 16 books including four poetry collections titled, “Seaside Myopia” (Cyberwit, 2018), “Unborn Poems and Yellow Prison” (Cyberwit, 2019), “Of Ashes and Persiflage” (Hawakal, 2020) and “Archive Avenue” (Cyberwit, 2022). He also co-edited the “Poetry Conclave Year Book 2022” (Authors Press, 2022). A nominee for the prestigious Pushcart Prize, Dr. Chatterjee received the “Alfredo Pasilono Memorial Panorama International Literary Award 2023”. He was a Fulbright Visiting faculty at the University of Virginia, USA and a recipient of the ICCR Chair (Govt. of India) to teach abroad. His poetry has been archived at Yale University. He can be reached at: akchatjee@gmail.com

 


 

LADDER

Pradeep Biswal

 

I have been standing

Here for ages

They used me

To go up

But never returned

Till date

I am waiting for them

To come back.

They might have used

Many others

Like me

To rise in life

As they know well

The art of moving ahead

With other’s help

Conveniently.

A ladder has no heart

No emotions

No regrets

They are aware of it.

They are blind

In their obsession

To rise and rise

And they never think

That one day

They  have to descend

And look  for

Another ladder.

 

Mr. Pradeep Biswal is a bilingual poet writing both in Odia and English. His poems are widely anthologized. He is also an editor and translator of repute. A retired IAS Officer, Mr. Biswal presently holds the position of Member, Odisha Real Estate Regulatory Authority and stays with his family at Bhubaneswar. Views are Personal

 


 

ILLUSION OF THE SEA
Bhagaban Jayasingh 

 

Today I stand on the sea beach, 
though I cannot see her waves, 
touch her dark green body, 
even feel her sighs drifting;
the city keeps on rising 
with its roars melting away in the wind.

The sea's illusion stretches all around
as she dazzles the horizon 
with the drum-beats of her waves 
the wind blows dancing on the waves's swings, 
or sparkles the casuarinas 
like the tears of a girl under the tree.

The pale moonlight trickles
through the wings of mist
when loneliness feels familiar like illusion
the sea disappears for being 
tired and indifferent in
the lost communion of 
a meditating saint who is yet to leave
the chaos of his soul.   

I do not understand why the sea
plays hide-and-seek with my love and desire
and never appears except as an illusion 
I go on asking everyone around 
'Have you seen the sea? '
No answer greets the ears.

Today, seated on the beach
with a handful of sand 
I am looking at the sea roaring 
under the canopy of dark blue clouds, 
though I am not able to see her 
among the sand and seagulls
Then why should I come here 
why should I, like a fool, love to be
caught in the net of maya? 

 


Dr. Bhagaban Jayasingh, an eminent bilingual writer, has published 9 collections of poetry in Odia and 8 in English and English translation. Black Eagle Books has brought out The Dapples of Darkness, a collection of his poetry and Footprints of Fire, a translation of seventy-four contemporary Odia poets. Dr Jayasingh has also published Door to Despair, a critical work on modernism in Odia poetry. He edited an anthology titled 7950 Parabarti Odia Poetry for Sahitya Akademi. Sahitya Akademi has also published Sitakant Mahapatra: A Reader in 2021, selected and edited by him.

Dr Jayasingh has received a flurry of literary awards, including Vishub "Jhankar", Bhanuiji Rao Kavita Puraskar, besides Utkal Sahitya Samaj Samman and Odisha Sahitya Akademi award for his book Ferranti Ghar in 2016.

 


 

WRETCHED

Soumen Roy

 

For a long period, I have not been able to write the way I used to

A feeling of helplessness keeps nibbling, and the soul dies somewhere

And I remain awake.

Over panes of the window, where the moon peeps a while,

Now sings the forlorn new moon.

It seems the fanfare is over the lonesome, broad streets

Yet waiting to quench my thirst from the oasis of fountains

Flowing over the ivory sheets

Where weariness of despair wears off

 


 

OF THE YOUTH

Soumen Roy

 

The palanquin of youth lurched in my swings

So many swayed by that buzz

Shining with furor

A gleam of yore, thrilling in joy

Of the whimsical overlook She bends on her knee. Grinning with charm Fascinated entice

How could one be away from those deep blue eyes? Bursting into a smile enchants

Sailing on cloud number nine Unfurls a tale of longing

A holy wedlock sailing in between eyes

 

Soumen Roy is a professional writer, best selling author and a tri-lingual poet. He has been vasty anthologized. His novel and poetry books have been part of International Kolkata Book Fair as well as Newtown book fair. He is the receiptent of Laureate Award 2022 along with many others. His poetry has been a part of international poetry festival 2017 and Panaroma international Literature festival 2023. He has published in different newspapers, magazines and web portals. He has been part of a web series named Showstopperzz, a cinema for a cause. He loves photography, painting and music.

 


 

IN THE GOD’S EYES

Umasree Raghunath

 

In God's eyes where galaxies dance,

A cosmic ballet of a divine romance.

Stars shimmer with celestial grace,

Painting the canvas of infinite space.

Mountains rise in majestic might,

Valleys cradle the whispers of night.

Rivers weave tales of ancient lore,

Nature's hymn rhythm forevermore.

 

In God's eyes the ocean's embrace,

A boundless love of a watery grace.

Waves sing songs of eternal tides,

As time unfolds in rhythmic strides.

Every soul shine with a spark divine,

In God's eyes, we intertwine.

Love's language  spoken in the skies,

A sacred truth opened in God's eyes.

 


 

TEMPTATION
Umasree Raghunath

In shadows cast
by desire's flame,
 Temptation whispers,
calling my name.
A dance with sin,
a fleeting trance,
Seductive urges,
a risky advance.
In the heart's battle,
a silent war,
Temptation lures, f
orevermore.

 



JUST CANT SLEEP
Umasree Raghunath


In the silent realm where night takes hold,
Rest eludes me, as thoughts unfold.
Insomnia's grip, a relentless bane,
Moonlit hours, a sleepless terrain.
Tossing and turning in the quiet dark,
Restless mind, an elusive spark.
Sleep's sanctuary, just out of reach,
In the hush of night, my mind's breach.
Counting stars, a futile scheme,
In the quietude, I chase a dream.

 

Umasree Raghunath is a Senior IT Professional/ Author/ Blogger/ Poet/ Lawyer/ Diversity & Inclusion Social Activist/ Motivational Speaker, Past President - Inner Wheel Club of Madras South,  Vice-President-eWIT .   Umasree has close to 400 poems across various themes, subjects, situations and emotions and been writing since she was 13 years old.   She is the Author of the Book- Simply Being Sidds and also has a live blog in her own name.

 


 

MYSTERIES OF HABITS

Jaydeep Sarangi

 

I have visited and desired for

the old thoughts  over and over again

and come at the same time each night’s dark

in dream to the same acre of  fresh grass growing

beside my darling rivulet of life.

 

I travelled with the same landscape every day,

the  habits  shifting into unfaithful mysteries

in the same acts of piercing longings.

In my dream the same city looks different

through  the yogic morning light, I prayed

and I have formed an endless  sense waiting for all

my sensory parts leaking irresistibly violent weakness in me.

 

The same habit is  lived out everyday, noisy

 


 

AN INDIAN POEM

Jaydeep Sarangi

 

In a living voice from the past

messages are tall shadows of rivers.

Life goes on like before people

standing, sitting, chanting

 

 walking and preparing for the prayer meets

beside an ancient river of faith.

 

Sages chant for peace, order

flowing in a vessel of light.

Home for all who have no

homes to go, no links to live.

 

Only prayers exist old temples--

are a window, hope of a river flowing

carrying the heart of a nation

living and longing, faithfully

holding the world  tight…

 


 

DOOR AT PURI

Jaydeep Sarangi

 

All holdings fall apart as we move into the hungry mouth

Of history, enviable dark corridors we walked in the past

Kings and beggars have one bed to go, one large door to sleep and

Forgetting all glories and groans earned with the mud.

 

Crows of Puri are saviours of the myth

All prayers to the gate of the temple

Where Jaganatha resides, lotus blooms

Wooden idols are secret  signals for living.

 

All things flow fast in the journey of memories of words.

An enviable darkness leads the way to the seeds calling:

Come straight here, no stopping

Come here, sweet children.

 

Jaydeep Sarangi is a bilingual poet, a poetry activist/critic  with ten collections and several anthologies and critical books on/of  poetry, latest being Memories of Words (2023) and Mapping the Mind, Minding the Map(Sahitya Akademi,2023). He isof  Principal, New Alipore College, Kolkata.  He is the President, Guild of Indian English Writers, Editors and Critics (GIEWEC). State Level Mentor for NAAC, Dept of Higher Edn., Govt of West Bengal,Website: https://jaydeepsarangi.in/. Address: Principal, New Alipore College, Block L, New Alipore, Kolkata-700053, WB. E mail: jaydeepsarangi1@gmail.com

 


 

LOTUS EYE LOTUS FEET

Saranya Francis

 

In Srirangam's embrace, where legends breathe,

Amidst the chants, where devotees seethe,

Stands the sanctum of serene grace,

With Lotus Eyes and Lotus Feet,

 

Lotus eyes that hold the universe's gleam,

Reflecting divinity in the eternal stream,

In the sanctum's depths, they silently speak,

Of cosmic secrets, mystic and unique.

 

Lotus feet lead a muse to poets of lore,

Each step a tale, forevermore,

With each touch, they bless and heal,

In Srirangam's realm, verses blissfully kneel.

 

Oh, Ranganatha of Srirangam divine,

In every devotee's heart, you resplendently shine,

Your temple, a haven, where souls find peace,

Guiding us through life's trials, sorrows cease.

 

Childhood memories, like fragrant flowers bloom,

In temple corridors, where stories loom,

Chitti and Chithappa's tales unfold,

Of deities revered, their glories untold.

 

Each sannidhi, a world of its own,

With histories ancient, like seeds once sown,

We listen in awe, our hearts complete,

In Rangan’s embrace, mesmerized by his Lotus Eyes, Lotus Feet.

 

Eons after I bow at thy altar, with reverence deep,

A flickering dream of the one in an all-knowing sleep,

In Srirangam's temple, where yugas melt and meet,

Forever in obeisance to the Lotus Eyes, Lotus Feet.

 

Chitti -  Maternal Aunt

Chithappa - Uncle

Sannidhi - Abode

Rangan - Endearing term to address Sent Ranganatha of Srirangam

Yugas - Eons/ages

 

Saranya Francis is a multilingual poet, English lecturer, life skills trainer, faculty facilitator and artist. She has to her credit three published anthologies of poetry titled Being Purple, Ambedo and Sonder. She Edited Antargata (2020), Co-edited Confluence I and II, she curates the monthly poetry open mic of Bangalore Poetry Circle. She is the recipient of Star Ambassador of World Poetry at the World Poetry Conference (2019),  Bharat Award for Literature (2018) and other such accolades. Saranya Francis is currently an Assistant Professor of English at ST PAULS COLLEGE, Bengaluru and a Part-Time PhD scholar at Amrita Vishwa Vidyapeetham, Chennai.

 


 

WOMAN

Gargi Saha

 

O woman thy name is beauty

Beauty of the body and the soul

She soars to heights of fancy

Her imagination roams the world delightfully

O woman, sometimes as beautiful as a peacock

Sometimes sweet as a nightingale

Sometimes graceful as a swan

Sometimes you symbolize love of love birds

One woman, yet plays infinite roles

Somewhere ruler, somewhere slave

Somewhere friend, somewhere foe

Sometimes bright, sometimes dull

Women like team work as the sea gulls

Women adapt to the transforming climate of the world

They are so efficient, strong, bold

O woman you bring peace, harmony, happiness in your homes

Women are pretty, diligent, praiseworthy

They build and save their homes silently.

 


 

MY VILLAGE COTTAGE

Gargi Saha

 

Away from the hustle, bustle of city life

And maddening crowd of humans

Here stands my village cottage

Amidst the surrounding trees, leaves, flowers

God made the country and man made the town

Man made the town, but the industries have turned  them artificial, selfish only to frown.

The village air is pristine, filtered, non polluted

It is from the germs, diseases, viruses disinfected

Let me in the reveries of nature be lost

Let me taste the warmth and the frost

The cock's clarion will wake me in the morn

The lengthening shadows will indicate that it is dawn

From the village cottage I see, the lush green fields

The smiling flowers and the daffodils

The rustle of the leaves, the lowing of the cows

Teaches me to be humble, before the elderly to bow

I stay here in the soothing silence of rural solitude

Hospitality and charity is the villagers warm attitude

Blessed are those who enjoy life in a village cottage

Machines and industries have made man a mechanical, noble savage.

 


 

PEACE

Gargi Saha

Give me peace

I am utterly shattered

A little peace can mend lives

I crave not for name, fame, wealth, power

But a little peace

Can mend broken homes, helpless beings

Crawling, stumbling, staggering

On the staircase of life.

Ms Gargi Saha is a creative writer. She has published two poem books namely, 'The Muse in My Salad Days, 'and'Letters to Him ', She has received the Rabindranath Tagore Memorial Award and the Independence Day Award for poetry. Presently she edits several scientific research papers.

 


 

I NEVER ASKED FOR ROSES

Dola Dutta Roy

 

I never asked for Roses.

Nor perfumes.

My hands only ache to hold your face,

drenched in the early morning sun.

I long to hear the music

in your voice,

like the tremors

in the flapping wings of a humming bird.

Time lingers,

when you bury your

breaths

in the curve of my nape.

And I just wish the  fragrance of your being,

would fill me

like the mist embraces the

hills and the woods --

gently,

but surely.

 

Born in Kolkata, I have had  the privilege of being raised in a cosmopolitan environment embracing all cultures and beliefs. Graduating from Calcutta University with Honours in English Literature and then finishing my Master's in the same from Jadavpore University, I took up teaching as a profession.

My teaching experience extended to teaching English in Iran after which I moved to the USA for furthering my studies.  Subsequently, I taught English Language at Claremont University in Southern California.Returning to India, I joined the world of Advertising with JWT, a leading Ad Agency in the country. Now that I'm  retired, I pursue my passions like painting, writing fiction and poetry and have authored 3 books of fiction on social anomalies and human relationships.

 


 

I'LL DWELL IN THE SILENCE OF YOUR HEART

Nandini Mitra

 

When I won't be around,

The breeze will caress your hair,

The stream will chatter with you all the way

On its journey to the sea,

Mountains won't stand as dumb spectators

And stare at you vacantly,

Sea will swell and devour the shore,

Waves will teach you lessons of life,

They'll knock you down,

Push you back to where you started,

Once you crawl out stronger,

You'll learn to fight through without me.

 

When I won't  be around you,

Sense the touch of my smile,

My absence in your life is an eternal echo

Across your path of existence,

I'll dwell in the silence of your heart,

Create my own little space,

My absence will remain alive

In my hidden presence,

While I'll encompass you with my love,

You'll feel my absence and

Will make you search for the pieces

Of me in every corner of your life.

 


 

A PEACEFUL FEELING

Nandini Mitra

 

Looking beyond the darkness of my mind,

Let the world light up with my smile,

Won't let the moments slip through my fingers,

I'll live life one day at a time.

 

Can you hear the music of the universe,?

I can, it melts my heart,

Pulls me out into the open fields,

Reminds me, each day is a fresh start.

 

The valley looks absolutely green,

Kisses the mountains at a distance,

I can feel the the gentle breeze ,

I need the love in your embrace.

 

The stream gurgled over the rocks,

There's something about it, a peaceful feeling,

I close my eyes,

I imagine you right here by my side.

 

Nandini Mitra is a poet based in Kolkata. A post- graduate in English Literature from Jadavpur University. She is in the profession of teaching for last twenty -five years. She has published her first book of poetry,The Road To Tranquility, recently. Has worked as a freelance journalist for a prestigious Bengali magazine published from Kolkata. She is passionate about Music and is a trained classical singer. However, writing poetry has become an integral part of Nandini’s journey of life since 2011. She believes in the religion of humanity, compassion and love. She has a rich sense of metaphors and imageries and enthusiastic about weaving poetry relating to the realities of lives and the diversities of nature. Her poems have featured in various national and international anthologies.

 


 

TILL ETERNITY    
Leena Thampi

 

I might leave you and go one day,
But you will hear me in the words of our favourite song,
You will find me in the paintings unfinished,
The words i scribbled in my Diary,
And in the crumpled up papers where i wrote it all wrong,
I lay there in between the pages of your book 
as a peacock feather,there you look,
In the fragrance of jasmine left on the pillows,
Pieces of bangles you broke with your hugs,
Memories we shared draped in six yards laid,
With the gifts i showered whispering my name.
Jingling anklets will dance in your mind
And you'd long to feel my wet tangled mane,
Giving you that winking smile.
I will taunt you with the naughty question again..."Do you love me"?
Just to remind you, that my soul can't be tamed...and i will be the same.

 


Born in Jammu and brought up in Delhi ,Leena Thampi is an articulate writer who's lost in her own little epiphanies and she gives them life with her quill. She's an author extraordinaire with four books to her credit -"Rhythms of a Heart", "Autumn Blaze" , An Allusion To Time' and Embers to Flames.

She has many articles published in India and abroad. She has received many elite accolades from different literary platforms worldwide.She has been awarded by Gujarat Sahitya Academy and Motivational Strips twice for her best contribution towards literature in the year 2021  and 2022.She was also the recipient of Rabindranath Tagore Memorial  literary honours 2022  by Motivational Strips.

Her work mixes luminous writing, magical realism, myths, and the hard truths of everyday life.

Besides her flair for writing and deep-rooted love for music, she is an Entrepreneur,Relationship and life coach,specialised in child psychology.She is also a dancer and actor. She is currently working on her fifth book which is a collection of short stories.

 



THE EXAM DAY: AT HOME
Meena Mishra


The alarm's loud chime, woke me from my sleep,
Springing  out of bed, into the day's sweep.
Rushing  through chores, with a racing heart,
Revision awaited, a crucial part.

Summoned celestial help, to ease my mind,
Inner demons quieted, nerves to unwind.
Skipping  breakfast, dived into the mission,
Reeling through chapters, a challenging vocation.

Familiar pages, yet doubts did loom,
Revision revealing, gaps of the room.
Have I truly grasped, what the lessons spun?
Or will the exam reveal, what's left undone?


THE EXAM DAY: AT SCHOOL

On arriving  at school, friends greeted in glee,
Yet focused on prep, no time for spree.
Nerves twinging , as others flaunt their know,
Last-minute cramming, was never  my flow.

Confidence in peers, who seem well-prepared,
Ready to conquer, questions not spared.
In this exam amphitheatre, minds put to the test,
Will knowledge prevail, or anxieties arrest?

 


 

SUMMER DAYS
Meena Mishra


In summer's cuddle, the sky ablaze with orange hues,
Flowers sway in rhythm, painting gardens anew.
Rose, Lily, Sunflower, Zinnia in bloom,
Their fragrances dance, dispelling all gloom.

Watermelon, Lychee, Mango, Jackfruit in array,
Market bustles with buyers, joy in every way.
Fitness freaks find solace in drinks refreshing and cool,
Coconut water, Ice tea, Mango smoothie, a delightful fuel.

Summer's love shimmers, in every corner it gleams,
A season of dreams, of laughter, and exciting screams.
Picnics in the park, under the shade of trees,
Children's merriment echoes, carried by the breeze.

Beaches summon, waves lapping at the shore,
Sandcastles rise, a testament to fun galore.
Sun-kissed skin, salty air, seagulls in flight,
Summer's magic casts its spell, a pure delight.

Evenings bring warmth, under starlit skies,
Glow worms  twinkle, like tiny fireflies.
Barbecues sizzle, stories shared 'round the fire,
Summer nights, filled with joy, never to tire.

Crickets chirp their lullaby, as night falls deep,
Dreams take flight, in the arms of sleep.
Summer, oh sweet summer, your charm never ends,
A season of love, cherished by all friends.

 

(Founder &   CEO - The Impish Lass Publishing House)

MEENA MISHRA is an out of -the box-thinker, inspiring hundreds of students, teachers and working professionals across the world, turn into published writers and poets.

She is an award-winning author, poet, short-story writer, social worker, novelist, editor, an educator and a publisher. The Impish Lass Publishing House is her brainchild. Her poems, stories and book-reviews have been published in many international journals and magazines. She is the recipient of several prestigious awards. She is an active member of Mumbai English Educators’ Team and was invited by the Education Department of Maharashtra to be a part of The Review Committee for the new English text book. She has been working as the International Coordinator for British Council activities for more than 10 years.  She has been invited as a judge for several literary competitions and lit fests including the Lit fest of IIT Bombay and NM college fest. Her poems are published in many magazines, including the prestigious periodical Woman’s Era. She has been a contributing author and poet for more than 100 books. Her books include- The Impish Lass, Emociones Infinitas , Within The Cocoon of Love and The Impish Lass Book 2.

Her contribution to the field of education and writing has received acclamation from the esteemed newspapers like Times of India and Mid Day. Her articles are published in Times of India’s NIE and a suburban newspaper and leading educational magazine of the country- Brainfeed Higher Education Plus.

She is on the mission of publishing the articles of students and educators of various schools across the globe under her unique project, ‘The Young Bards’. Her autobiographical novella, The Impish Lass, has been converted into a web-series  and can be subscribed on YouTube.

Under the banner of her publishing house ( The Impish Lass Publishing House- Mumbai ) she has successfully published more than 100 books in 3 year’s duration apart from The Young Bards- book various editions for students and teachers .More than 500 writers across the globe have received an opportunity of becoming published writers and poets under this banner. Recently published books ‘Cascades- Treasure Trove of Short Stories had 104  educators across the country getting published .She was invited to share her views by Sony TV for their first episode of, Zindagi Ke Crossroads, based on needs of special children.  She was recently invited by the “AajTak” news channel to express her views on the special episode on the PMC Bank scam victims.

She had written an exclusive poem which was read and appreciated by the living legend of Bollywood- Amitabh Bachchan. She has been the recipient of  Wordsmith Award- 2019 for her short story , “Pindaruch,” from the Asian Literary Society. She has received many awards in 2020 for her contribution to  the field of education and literature. She has received  ‘ Most Outstanding Teacher of the Year Award,’ during  World Education Summit in Feb-2021. Her poems have been translated and  published in Spanish magazine. Her latest book – The Impish Lass-  Part 2 ( TIL Stories and More) has received raving reviews from the readers including  the greatest Indian Nuclear Scientist Dr. R. Chidambaram. It has received 5 stars rating on Amazon .

As a publisher she believes that EACH SOUL THAT WRITES HAS THE RIGHT TO GET PUBLISHED.

 


 

LIFE ETERNAL

Shrikant Mishra

 

A voyage in the ocean of the universe,

Passes through a myriad of experiences,

And heads towards the unknown to make it known.

 

Between the countless number of entries & exits,

Lots of events & lots of roles,

Lots of pleasure & lots of pain,

To strengthen the being to reach its goal!!!

 

The goal enthralls as it evades change,

Makes everything absolute and perennial,

A horizontal line in the graph of time.

 

Every life is significant by itself,

To fit into the cosmic design of the Whole,

And finally merge with the Whole, which is the goal!!!

 

Srikant Mishra is an Engineer by profession. He has graduated from NIT, Rourkela and studied “Advanced Strategic management” in IIM, Calcutta. He is passionate about English literature and has involved himself in literary work since late 90s. One of his poetry “Life Eternal” has been published in Aurovile magazine in Pondicherry in the year 1999. Another poetry “Autumn” has been appreciated by few poetic forums in the United States. Recently he has started writing short stories that depicts real life experiences. Apart from literature, Mr Mishra loves yoga, monsoon outing and occasional singing. 

 


 

THE CLOCK!

Professor Niranjan Barik

 

The Clock

The natural one

Not man made

Its sound makes men,

women, and children

Come to the open

See the rising Sun

The stylish Cock, nay Clock

 Walks majestic

Runs a mini marathon

Friend with the little ones

Merry go round they run

 Cats, dogs, and hens

Parrots too descend to join .

 

 

One fine morning

Sun comes on the horizon

Without the sound of the Clock

The Cock is gone

In the darkness of the night

When the glasses joined

In the nearby dak bungalow

To mark some celebration

Making children bewildered in the morning

Asking questions again and again

How do they know that

The clock here is gone

To bring a clock-tower

In not far off a Town!

 

(Professor Niranjan Barik ,formerly Professor and Head, Department of Political Science at Ravenshaw University also served as a Professor of Pol.Sc and Principal , Khallikote Autonomous College, Berhampur, Odisha. A Fulbright Scholar-in-Residence at Miles College, Birmingham, AL, USA in 2007-08 , Prof Barik evinces interest in reading and writing short stories and poems in Odia and English. His poetry book , “Freedom from Bondage: An Ode to Nature” was recently released at Bhubaneswar.)

 


 

ON A VACANT SATURDAY MORNING
Mrutyunjay Sarangi

 

I wish I knew
where you left 
those gentle whispers
and the sweet breaths
that touched me
like a tender leaf
and disappeared.

I have been looking 
for them in all the corners
of my heart, 
my poor heart
that got emptied 
when you left.

I don't know why it feels
as if you are standing 
at the end of the street
where the sun rays 
meet the silken flowers
in the green garden.

I see you talking 
to the little buds
to grow up soon
so that all of you
will return home
holding hands, smiling,
as if all insipid todays 
have turned into 
joyful tomorrows.

 

Dr. Mrutyunjay Sarangi is a retired civil servant and a former Judge in a Tribunal. Currently his time is divided between writing poems, short stories and editing the eMagazine LiteraryVibes . Four collections of his short stories in English have been published under the title The Jasmine Girl at Haji Ali, A Train to Kolkata, Anjie, Pat and India's Poor, The Fourth Monkey. He has also to his credit nine books of short stories in Odiya. He has won a couple of awards, notably the Fakir Mohan Senapati Award for Short Stories from the Utkal Sahitya Samaj. He lives in Bhubaneswar.

 


 


 


Viewers Comments


  • Vanaja Rajagopal

    Auosome mashe

    Mar, 31, 2024
  • Mayuri Ghorpade

    Dear Padma Ma'am, your 'A Changed Woman' I feel is the tale of every working woman in India. We have to manage both the fronts efficiently and still we are successful in the tasks assigned to us. Thank you for sharing this beautiful poem with us all here.

    Mar, 29, 2024
  • Jaydeep Sarangi

    What a mosaic of powerful poems! It's a rich platform for Indian poetry in English. So varied! So vibrant!!

    Mar, 29, 2024

Leave a Reply